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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

By Tom Eames

We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

• The 40 greatest disco songs ever, ranked
• The 10 greatest and smoothest ever sax solos, ranked

Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

• The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

• The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

• Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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Playlist of the Week: Top 100 Songs of Yacht Rock

Each week we’re featuring a playlist to get your mind going and help you assemble your favorites. This week we take a deep dive into the soft rock hits of the late ’70s and early ’80s, which have come to be known in some circles as Yacht Rock. The term Yacht Rock generally refers to music in the era where yuppies enjoyed sipping champaign on their yachts — a concept explored in the original web series Yacht Rock, which debuted in 2005 and has developed a cult following. Artists most commonly thought of in the Yacht Rock era include Michael McDonald, Ambrosia, 10cc, Toto, Kenny Loggins, Boz Scaggs, and Christopher Cross. Yacht Rock has become the muse of a great number of tribute bands, and is the current subject of a short-run channel on Sirius XM.

Here is a stab at the Top 100 Songs of Yacht Rock — not necessarily in rank order, with a few more added for honorable mention. We welcome your comments. What songs are ranked too high? What songs are ranked too low? What songs are missing? Make your case. Also, please let us know concepts for playlists you’d like to see — or share a favorite list of your own.

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The 25 Best Yacht Rock Songs Of All Time

Yacht Rock isn’t exactly a genre. It’s more a state of mind. It is the musical equivalent of a mid-afternoon mimosa nap in some nautical location—a cool breeze of lite-FM confection with the substance of a romance novel and the machismo of a Burt Reynolds mustache comb.

But what exactly is Yacht Rock?

Yacht Rock is ‘70s soft schlock about boats, love affairs, and one-night stands.

Typified by artists like Christopher Cross, Rupert Holmes, and Pablo Cruise, Yacht Rock is not only easy to mock, but it’s also deserving of the abuse. There’s a sensitive 70s male brand of chauvinism that permeates this material—like somehow because you could schnarf an 8-ball of cocaine and sail a boat into the sunset, your indulgences and marital infidelity were actually kind of sexy. Cheap pickup lines and beardly come-ons abound.

And yet, this stuff is irresistible on a slow summer day. It reeks of sunshine and laziness, and couldn’t we all use a little of both?

These are the 25 Best Yacht Rock Songs, in order. Zero suspense. (Sorry if that’s less fun for you).

If you would like to learn more about Yacht Rock without getting a sailing license, read on…

What are the qualifications for inclusion on our list?

So Yacht Rock refers to a type of soft rock, right? But there’s a ton of soft rock out there that doesn’t fit the bill. There’s no room on my boat for Barry Manilow. At the Copa? Sure. But not so much on my boat. So what makes a great yacht rock song exactly?

Ideally, one or more of these themes will be present:

• Finding the love of your life;
• Having a memorable one-night stand; or 
• Doing something nautical.

These features pretty much capture everything that’s great about this milieu. But there’s also an important cheese factor at play here. While Steely Dan, Hall & Oates, CSN, and the Doobie Brothers all made songs that might qualify for inclusion here, the artists themselves are–let’s just say it–too good to be considered Yacht Rock.

We’ll make sure to include them in our deluxe playlist at the article’s conclusion.

But in order for a song to be considered for our list, it must be at least slightly embarrassing. Case in point, the top song on our list…

1. “Escape (The Pina Colada Song)” by Rupert Holmes

“The Pina Colada Song” is arguably the most perfect embodiment of yacht rock, fulfilling, as it does, all three of the qualifications cited above. Holmes sings about making love in the dunes, attempts to cheat on his wife, then ultimately, rediscovers that his “old lady” is actually the love he’s been searching for all along. That’s the holy trinity of Yacht Rock themes, all wrapped up in a breezy story of casual adultery. And at the turn of a new decade, listeners were feeling it. Released as a single in 1979, “Escape” stood at the top of the charts during the last week of the year. Falling to #2 in the new year, it returned to the top spot in the second week of 1980. This made it the first song to top the charts in two separate, consecutive decades. Fun fact: Rupert Holmes never drank a Pina Colada in his life. He just thought the lyric sounded right. Hard to argue that point.

2. “Brandy (You’re a Fine Girl) by The Looking Glass

Formed at Rutgers University in 1969, Looking Glass topped the charts in 1972 with the tale of a lovelorn barmaid in a harbor town haunted by lonely sailors. It would be the band’s only hit. Lead singer Elliot Lurie would go on to a brief solo career before becoming head of the music department for the 20th Century Fox movie studio in the ’80s and ’90s. That means he was the musical supervisor for the soundtrack to Night at the Roxbury . Do with that information what you will. And with respect to “Brandy,” see the film Guardians of the Galaxy 2 for Kurt Russell’s surprisingly detailed treatise on its lyrical genius.

3. “Summer Breeze” by Seals and Crofts

The title track from the soft-rock duo’s breakout 1972 record, “Summer Breeze” is an incurable earworm, a bittersweet twilight dream that captures everything that’s right about Lite FM. From an album inhabited by Wrecking Crew vets and studio aces, “Summer Breeze” curls like smoke drifting lazily through an open window.

4. “Africa” by Toto

Toto singer David Paich had never been to Africa. The melody and refrain for this #1 hit from 1982 came to him fully formed as he watched a late night documentary about the plight of those living on the African continent. The lyrics touch on missionary work and describe the landscape as inspired by images from National Geographic , according to Paich’s own recollection. Putting aside its self-aware inauthenticity, “Africa” is an infectious, 8x platinum AOR monster.

5. “Reminiscing: by Little River Band

Released in the summer of 1978 and reaching up to #3 on the Billboard Hot 100, “Reminiscing” was guitarist Graeham Goble ‘s nostalgic take on the swing band era. Not only is it the only Australian song ever to reach five million radio plays in the U.S., but rumor is that it was among the late John Lennon’s favorite songs.

6. “Drift Away” by Dobie Gray

Recorded originally by a country-swamp rocker named Jeffrey Kurtz, Dobie’s 1973 cover became his biggest hit, reaching #5 on the charts. Though not explicitly nautical, “Drift Away” captures the distinct sensation of cruising at sunset.

7. “Love Will Find a Way” by Pablo Cruise

Pablo Cruise may have the most “yachty” of all band names on our list. And “Love Will Find a Way” is sort of the musical equivalent of a ketch skipping along a glassy surface on a crisp summer dawn. Pablo Cruise was formed in San Francisco by expats from various mildly successful bands including Stoneground and It’s a Beautiful Day. And there is a certain slick professionalism to the proceedings here. Of course, Pablo Cruise was never a critic’s darling. Homer Simpson once accurately classified them as wuss rock. Still, they perfectly captured the white-folks-vacationing-in-the-Caribbean energy that was all the rage at the time. Love found a way to reach #6 on the Billboard charts, remaining in constant radio rotation during the red-hot summer of ’78.

8. “Ride Captain Ride” by Blues Image

Blues Image emerged from South Florida in the late ’60s and served as the house band for Miami’s vaunted Thee Image music venue upon its inception in 1968. This gave Blues Image the opportunity to open for ascendant headliners like Cream and the Grateful Dead. The association landed them a contract Atco Records. Their sophomore record Open yielded their one and only hit, a #4 in 1970 about a bunch of men who disappear into the mists of the San Francisco Bay in search of a hippie utopia.

9. “Eye in the Sky” by The Alan Parsons Project

This #3 hit from 1982 has nothing to do with sailing. But it’s infectiously smooth production sheen, layered synth, and dreamy vocals make it a perfect Lite FM gem–one cut from the stone that gave us yacht rock. The “Project” was actually a British duo–studio wizard Alan Parsons and singer Eric Woolfson. The title track from their sixth studio album is also their very best recording. It’s also often paired with the instrumental lead-in “Sirius,” a song famous in its own right for blaring over unnumbered sporting arena PA systems. If that tune doesn’t make you think of Michael Jordan, you probably didn’t live through the late 80s.

10. “Miracles” by Jefferson Starship

Marty Balin was a pioneer of the San Francisco scene, founding Jefferson Airplane in 1965 as the house band for his own legendary club–The Matrix. But in 1971, deeply shaken by the death of Janis Joplin, Balin quit his own band. Four years later, he was invited to rejoin his old mates on the already-launched Starship. He immediately contributed what would become the biggest hit by any Jeffersonian vessel. “Miracles” reached #3 in 1975. Gorgeous, elegant, and open, this is a complete anomaly in the Airplane-Starship catalogue. Listen closely for the NSFW lyrics that have often flown under the radar of some adorably innocent censors.

11. “Sad Eyes” by Robert John

In 1972, Robert John had a #3 hit with his cover of “The Lion Sleeps Tonight.” And yet, just before recording “Sad Eyes”, the Brooklyn-born singer was employed as a construction worker in Long Branch, New Jersey. By the summer of ’79, he would have a #1 hit. In fact, the charting success of “Sad Eyes” was part of a cultural backlash against the reign of disco. A wave of pop hits swept on to the charts, including this slick soft rock throwback. With his sweet falsetto and doo wop sensibility, Robert John knocked The Knack’s “My Sharona” from its 6-week stand atop the charts.

12. “Magnet and Steel” by Walter Egan

Before launching headlong into his music career, Walter Egan was one of the very first students to earn a fine arts degree from Georgetown, where he studied sculpture. The subject would figure into his biggest hit, a #8 easy listening smash from 1978. Featured on his second solo record, “Magnet and Steel” enjoys the presence of some heavy friends. Lindsey Buckingham produced, played guitar and sang backup harmonies with Stevie Nicks. By most accounts, Nicks was also a primary source of inspiration for the song.

13. “Lido Shuffle” by Boz Scaggs

Of course, not all yacht rock songs are about sailing on boats. Some are about missing boats. Boz Scaggs looks dejected on the cover of 1977’s Silk Degrees , but things turned out pretty well for him. This bouncy #11 hit is a classic rock mainstay today. The band you hear backing Boz–David Paich, Jeff Porcaro, and David Hungate–would go on to form the nucleus of Toto that very same year. Toto, as it happens, is essentially a recurring theme of the genre. Before rising to massive success in their own right, the members of Toto absolutely permeated rock radio in the 70s, laying down studio tracks with Steely Dan, Seals and Crofts, Michael McDonald, and more.

14. “What You Won’t Do for Love” by Bobby Caldwell

This smooth-as-silk tune reached #9 on the Billboard Hot 100 upon its 1978 release. It also reached #6 on the Hot Selling Soul Singles Chart. This is significant only because of Caldwell’s complexion. He was a white man signed to TK Records, a label most closely associated with disco acts like KC and the Sunshine Band. Catering to a largely Black audience, the label went to minor lengths to hide their new singer’s identity–dig the silhouetted figure on the cover of his own debut. Suffice it to say, once Caldwell hit the road, audiences discovered he was white. By then, they were already hooked on this perfect groove, which you might also recognize as a sample in 2Pac’s posthumous 1998 release, “Do For Love.”

15. “I Keep Forgettin’ (Every Time You’re Near)” by Michael McDonald

Technically, Michael McDonald’s “I Keep Forgettin’” is an adaptation of an earlier tune by the same name. In fact, the original “I Keep Forgettin” was conceived by the legendary songwriting duo Leiber and Stoller–best known for iconic staples like “Hound Dog”, “Kansas City”, “Poison Ivy” and much much more. The original recording is by Chuck Jackson and dates to 1962. But McDonald’s 1982 take is definitive. If that wasn’t already true upon its release and #4 peak position on the charts, certainly Warren G. and Nate Dogg cemented its status when they sampled McDonald on “Regulate”. Get the whole history on that brilliant 1994 time capsule here .

Oh and by the way, this tune also features most of the guys from Toto. I know, right? These dudes were everywhere.

16. “Baker Street” by Gerry Rafferty

To the casual listener, Gerry Rafferty’s name may sound vaguely familiar. Indeed, you may remember hearing it uttered in passing in the film Reservoir Dogs . In a key scene, the DJ (deadpan comedian Steven Wright) mentions that Rafferty formed half the duo known as Stealers Wheel, which recorded a “Dylanesque, pop, bubble-gum favorite from April of 1974” called “Stuck in the Middle With You.” In the same scene, Mr. Blonde (portrayed with sadistic glee by Michael Madsen), slices off a policeman’s ear. At any rate, this is a totally different song, and is actually Rafferty’s biggest hit. “Baker Street” is a tune that reeks of late nights, cocaine, and regret. Peaking at #2 on the Billboard Hot 100, “Baker Street” soared on wings of the decade’s most memorable sax riff. Raphael Ravenscroft’s performance would, in fact, lead to a mainstream revitalization of interest in the saxophone writ large.

17. “Wham Bam Shang-A-Lang” by Silver

There are several interesting things about Silver that have almost nothing to do with this song. First, bass guitarist and singer Tom Leadon was both the brother of Bernie Leadon from the Eagles and a member of Tom Petty’s pre-fame band, Mudcrutch. Second, the band’s keyboardist was Brent Mydland, who would go on to become the Grateful Dead’s longest tenured piano guy. Third, Silver put out their only record in 1976, and future Saturday Night Live standout Phil Harman designed the cover art. With all of that said, Arista executives felt that their first album lacked a single so they had country songwriter Rick Giles cook up this ridiculous, gooey concoction that I kind of love. Let’s say this one falls into the “so bad it’s good” category. Anyway, the song peaked at #16 on the charts. The band broke up in ’78, leading Mydland to accept the deadliest job in rock music. He defied the odds by playing with the Grateful Dead until an accidental drug overdose claimed his life in 1990.

18. “Biggest Part of Me” by Ambrosia

I admit, I’m kind of hard-pressed to make Ambrosia interesting. In fact, they were extremely prolific, and earned high regard in early ’70s prog rock circles. And in the 1990s, lead singer David Pack would actually be the musical director for both of Bill Clinton’s presidential inauguration concerts. But this Southern California combo is much better known to mainstream audiences for their top-down, hair-blowing-in-the-wind soft rock from the decade in between. Peaking at #3 on the Billboard Hot 100 in 1980, “Biggest Part of Me” is the group’s best-known tune–a seafoamy bit of blue-eyed soul served over a raw bar of smooth jazz and lite funk.

19. “Baby Come Back” by Player

Player released their self-titled debut album in 1977 and immediately shot up to #1 with “Baby Come Back.” Bandmates Peter Beckett and J.C. Crowley had both recently broken up with their girlfriends. They channeled their shared angst into this composition, a self-sorry guilty pleasure featuring former Steppenwolf member Wayne Cook on keys. Granted, Steppenwolf’s edgy disposition is nowhere to be found on this record, but it is pretty infectious in a late-summer-night, slightly-buzzed, clenched-fist sort of way. Player endured various lineup changes, but never returned to the heights of their first hit.

20. “On and On” by Stephen Bishop

Remember that scene in National Lampoon’s Animal House (1978) where there’s this dude in a turtleneck singing a super cloying folks song before John Belushi mercifully snatches away his guitar and smashes it to smithereens? That guy was Stephen Bishop, who was actually in the middle of enjoying considerable success with his 1976 debut album, Careless . “On and On” was the album’s biggest hit, a vaguely Caribbean soft-rocker that reached #11 on the Billboard Hot 100 in ’77. The gentle electric riffs you hear there are supplied by guitarist Andrew Gold–who wrote the theme song for the Golden Girls . (I freakin’ know you’re singing it right now).

21. “Chevy Van” by Sammy Johns

The classic tale of boy-meets-girls, bangs-her-in-his-van, and brags-to-his-buds, all with backing from the world famous Wrecking Crew studio team. In 1975, a lot of people super related to it. It sold over a million copies and reach #5 on the Billboard Hot 100. I can’t tell you this song is good. But I also can’t tell you I don’t like it.

22. “You Are the Woman” by Firefall

Firefall’s lead guitarist Jock Bartley perfectly captures this song’s impact, calling the band’s biggest hit “a singing version of [a] Hallmark card.” That feels right. The second single from Firefall’s 1976 self-titled debut was only a regional hit at first. But it was driven all the way to #9 on the Billboard Hot 100 on the strength of radio requests. As Bartley explained, “Every female between the ages of 18 and 24 wanted to be the woman portrayed in the song, and that caused their boyfriends and spouses to call radio stations and subsequently flood the airwaves with dedications of the song and the sentiment.”

23. “Sailing” by Christopher Cross

Arguably, “Sailing” is the single most emblematic song of the Yacht Rock genre. Its thematic relevance requires no explanation. But it’s worth noting that the song is inspired by true events. During a tough time in his youth, Cross was befriended by Al Glasscock. Serving as something of an older brother to Cross, Glasscock would take him sailing. He recalls in his biggest hit that this was a time of escape from the harsh realities of his real life. In 1979, Cross released his self-titled debut. In early 1980, “Sailing” became a #1 hit, landing Cross a hat-trick of Grammys–including recognition as best new artist. Though Cross and Glasscock would lose touch for more than 20 years, they were reunited during a 1995 episode of The Howard Stern Show . Cross subsequently mailed a copy of his platinum record to Glasscock.

24. “Steal Away” by Robbie Dupree

Apparently, this song was perceived as so blatant a ripoff of Michael McDonald and Kenny Loggins’ “What a Fool Believes” that legal action was actually threatened. It never formulated. Instead, Robbie Dupree landed a #6 Billboard Hot 100 hit with the lead single from his self-titled 1980 debut. Critics hated it, but it was a dominant presence in the summer of 1980. It even earned Dupree a Grammy nomination for best new artist. He ultimately lost to the man just above–Christopher Cross.

25. “This is It” by Kenny Loggins

You didn’t think we’d get through this whole list without an actual Kenny Loggins tune. This song has the perfect pedigree, teaming Loggins and Michael McDonald on a 1979 composition that became the lead single off of Kenny Loggins’ Keep the Fire. Coming on the tail end of the ’70s, “This is It” felt positively omnipresent in the ’80s. I may be biased here. I grew up in Philadelphia, where a local television show by the same name adopted “This is It” as its theme song. But then, it did also reach #11 on the Billboard Hot 100.

And in that spirit…this is it, the end of our list.

But as usual, here’s a bonus playlist–an expanded voyage through the breezy, AOR waters of the mid-’70s to early ’80s.

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The Best Yacht Rock Songs (That Don't Suck)

Often dissed as slick, overly-produced music made by white men in the '70s, Yacht Rock actually resulted in some amazing pop music beyond Christopher Cross' "Sailing." Here are tracks that define the genre's rich, jazzy textures and irresistible melodies.

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I can go for that: five essential yacht rock classics

Katie Puckrick’s new TV doc reappraises the smooth, sad and seedy side of the maligned genre. Here she reveals the best tracks

• Modern Toss on yacht rock

Christopher Cross: Ride Like the Wind (1979)

With its urgent pace and aim to “make it to the border of Mexico”, Cross sums up the exhilaration of escape so essential to yacht. The power of the genre lies in the longing, so it’s most effective when heard in a landlocked location a million miles away from the nearest marina. Since aspiration crosses class, it doesn’t matter whether one’s home turf is the country club or a trailer park: listening to this song has the same effect – it nurses that ache for freedom.

The Doobie Brothers: What a Fool Believes (1979)

A YR hallmark is “upbeat-downbeat”: an approach that folds life’s bittersweet complexities within happy-snappy musical flourishes. A great example of upbeat-downbeat is this Doobie Brothers classic, showcasing the misplaced optimism of a wounded romantic. Singer Michael McDonald is in full fuzzy-throated throttle. Those are his BVs on Ride Like the Wind, and on any number of Steely Dan tracks, including …

Steely Dan: Hey Nineteen (1980)

The frisson of yacht rock derives from its blend of bourgie feelgood bounce crossed with a shiver of thwarted desire. Steely Dan self-deprecatingly called their work “funked-up muzak” but, lyrically, there are none more acidic than these egghead jazzbos with tales of grown-up screw-ups. Thanks to LA’s session musician elite, Hey Nineteen is polished to a sheen, but the narrator’s regretful realisation that he is too old to mack on teenage girls makes for uneasy listening.

Joni Mitchell: The Hissing of Summer Lawns (1975)

Generally, female musicians didn’t focus their talents on the yacht genre: its palette was too limiting for the era’s sophisticated female artists beyond a song or two. In 1975, Mitchell made what’s considered “accidental yacht rock”. This chilly saga of tarnished love concerns a woman trapped in a big house and a loveless marriage. Mitchell made the misery of rich people seem glamorous, creating “dark yacht” in the process.

Toto: Africa (1982)

By the time the 1980s rolled around, black musicians had reclaimed the surging soul and quiet storm of yacht that was rightfully theirs. Artists such as George Benson, Lionel Richie and Raydio raised the bar by turning this “funked-up muzak” into a dance party. Ironically, an anthem called Africa turned out to be helmed by a clump of the whitest dudes going. With its questing lyrics and triumphant chorus, it became a blockbuster smash for the ages, proving that yacht rock is for ever.

I Can Go for That: The Smooth World of Yacht Rock begins Friday 14 June, 9pm, BBC Four

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

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Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

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“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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Feature: The 101 GREATEST YACHT ROCK SONGS OF ALL TIME for Your Summer Playlist - featuring Michael McDonald, Kenny Loggins, Christopher Cross and Steely Dan

What Yacht Rock Classic Hit #1?

Yacht Rock is not for everyone. If you like your rock Cannibal Corpse intense or your hip hop extra Onyx edgy, then Yacht Rock will indubitably be your Kryptonite.

Some people consider this genre akin to musical wallpaper, marshmallow fluff, whiter-than-white bread snore-tunes or sax-heavy Sominex-inducing elevator muzak. They consider it slick, soulless pablum, even though true Yacht Rock vibrates with liveliness. Yes, it can be slow but it should never be sleepy; it should be relaxed and chill but never boring. Unfortunately, it's oft mistaken for any East Listening or Adult Contemporary tune (although, to be fair, many of the songs on this list do fall in these categories). But true Yacht Rock will not cause you to yawn; so don't worry, you won't find Air Supply, Barry Manilow or Dan Fogelberg anywhere near one of these rockin' yachts.

But what exactly is "Yacht Rock"? For those who don't know, it includes pop-rock songs from the late 1970's/early 1980's that would sound great on a yacht as you sip your pina coladas and get caught in the rain. Yacht Rock was not designed as thus; forty years ago, these songs that joyously filled the airwaves were called "soft rock" or "blue-eyed soul." It wasn't until the early 2000's when the term "Yacht Rock" was coined and the genre's guidelines were determined by the great J. D. Ryznar, Steve Huey, Hunter Stair, and David Lyons. Now it's everywhere, including on your SiriusXM radio app where a really bad Thurston Howell III soundalike introduces these Doobie-bounced ditties.

How can you identify a potential Yacht Rock classic? You can use Justice Potter Stewart's famous "I know it when I see it" (or, in this case, "hear it") dictum. To my ears, Yacht Rock is slick as an oil spill, part smooth pop, part light rock, both funky and jazzy. Most of the songs have tight harmonies, strong background singers (oftentimes sounding like Michael McDonald lost in an echo chamber), with added horns or strings. It's not lounge music, but it's music to lounge to. It's not disco, so you don't dance to it, but it's music where you can't help but tap your feet.

The joy of Yacht Rock is just that...its joyousness. This is bubblegum music for the jet set or the wannabe Richie Rich's. Its delightfully shallow, and part of its vibrancy is that it doesn't have a bad thought in its head. (Some of the songs obviously don't have any thoughts in their head, but if you want to have an intellectually stimulating conversation about, say, Toto's "Georgy Porgy," then have at it.) But never forget that part of its charm lies in its inability for deeper analysis; it's quite a stretch to compare some of these songs to a Winslow Homer painting or a Thomas Pynchon novel, but I'll try.

Officially, to be considered Yacht Rock, the song must have been released between 1976 and 1984, and I adhere to this rule for the 101. That means no songs that are proto-Yacht Rock, such as Seals & Crofts' "Summer Breeze," Ace's "How Long," or Steely Dan's "Dirty Work," are included. Neither did post-yacht rock favorites ("fire keepers") like Michael McDonald's "Sweet Freedom" (1986) get a chance. Some singers or groups, who are nowhere near Yacht Rock when looking at their oeuvre, may have a single YR classic in their midst; artists like Michael Jackson, Andy Gibb, the Eagles, and Earth, Wind and Fire have at least one Yacht Rock goodie on the list. And then there are those tunes that are not Yacht Rock: Nyacht Rock, which I tried but failed to avoid, but debates will happen nonetheless. For example, is "Escape (The Pina Colada Song)" true Yacht Rock? Purists may say no, but I think there are few songs more yachty than the Rupert Holmes earworm.

Who would be on the Yacht Rock Mount Rushmore? Certainly Michael McDonald, whose presence is everywhere on this list with the Doobie Brothers, solos, duets, and as a backing vocalist on many of these tunes; he has 8 entries (not counting his prolific background singing). Kenny Loggins also epitomizes the genre (with 4 songs on the list, plus he co-wrote the #1 tune), as does Christopher Cross (with 5 songs on the list). But who gets that final position? Steely Dan (6 songs), Toto (6 songs), or Boz Scaggs (5 songs)? I'll let you try to settle on the filling of the fourth Rushmore slot.

And shouldn't there be a Yacht Rock Broadway musical? There are Yacht Rock tours, online series, books, websites, radio stations, podcasts, Spotify playlists; why not an official jukebox musical?

Lastly, you may ask: What makes me, a theatre reviewer, a Yacht Rock expert? For starters, I lived through these songs during my teenage years; they are the soundtrack of my younger self, especially when listening to Casey Kasem every Sunday morning on American Top-40 on CK-101. No matter how cheesy, I have a place in my heart for them. And on my 60 th birthday, I hope to rent a yacht, invite friends, don an ascot and captain's hat, and while enjoying mounds of caviar, listen to the soothing sounds of my youth. I'll use this list, my YACHT ROCK 101, as our guide, and hopefully you will too. (And hopefully if a song is unfamiliar to you, then you'll seek it out on You Tube or Spotify.) So, without further ado, counting down Kasem-style from #101 to #1, let's climb aboard...

THE 101 GREATEST YACHT ROCK SONGS!

101. NOTHIN' YOU CAN DO ABOUT IT [Airplay; 1980; Chart Position on the Billboard Hot 100: N/A]

We start our three-hour tour here, Mr. Howell, with Airplay's little-known yachter, "Nothin' You Can Do About It," featuring David Foster, who peppers much of the following 101, and Jay Graydon, who played guitar on the Yacht Rock classic, "Peg." And as you'll find in so many songs here, the session musicians from Toto play the instruments and lift this horn-pocked One-Off into the stratosphere. It's poppy and breezy and everything that a YR hit should be. And its lyrics could be the Yacht Rock credo: "Relax; enjoy the ride!"

100. GEORGY PORGY [Toto; 1978; Chart Position on the Billboard Hot 100: #48]

This sounds like an outtake from a lost Boz Scaggs album. I have a place deep (very deep) in my heart for this. Yes, it's annoying, and Cheryl "Got to Be Real" Lynn's "Georgy Porgy, pudding pie/Kissed the girls and made them cry" refrain will get horrifically stuck in your head, but my oh my, how I love its glorious badness. (Some might claim that this isn't Yacht Rock, it's Yuck Rock.) No other chart would dare unearth this lost remnant that many think should remain lost, but it's too late baby, yes, it's too late. And if you want a sign of the coming Apocalypse: The endearingly ridiculous "Georgy Porgy" is more popular and beloved now than when it was first released.

99. THE THEME FROM "THE GREATEST AMERICAN HERO" (BELIEVE IT OR NOT) [Joey Scarbury; 1981; Chart Position on the Billboard Hot 100: #2]

Yacht Rock songs are usually called "likable," which is sort of a masked insult. When you can't think of something nice to say, you usually fall back on "likable," which doesn't mean you like it; it just means someone out there may like it. And "The Theme from 'The Greatest American Hero'" is certainly likable; it's maybe the only thing we remember from the otherwise forgotten William Katt TV series, which lasted three seasons. For "Seinfeld" fans, George's use of it on his answering machine in "The Susie" episode put the song on a level way above its pay grade. Just last year, it also showed up (with "Seinfeld's" Jason Alexander) in a Tide commercial. So, this song has planted its flag in our more current pop culture landscape; perhaps it and the roaches will be the only things to survive the end of the world. Believe it or not.

98. INTO THE NIGHT [Benny Mardones; 1980; Chart Position on the Billboard Hot 100: #11]

97. WE JUST DISAGREE [Dave Mason; 1977; Chart Position on the Billboard Hot 100: #12]

96. KEY LARGO [Bertie Higgins; 1982; Chart Position on the Billboard Hot 100: #8]

95. ESCAPE (THE PINA COLADA SONG) [Rupert Holmes; 1979; Chart Position on the Billboard Hot 100: #1]

These four songs, including one #1 hit, will cause arguments from purists; they score them low on the official Yacht Rock scale and label them the dreaded Nyacht Rock. But I think each of them deserve to be on the list, even if this low. Benny Mardones was a key part of one of my high school experiences as the special musical guest for 1981's Grad Night at Disney World; I remember hearing "Into the Night" into the nighttime distance and knowing that I was in the right place at the right time. (And I take the song's narrator as a teenager crooning about a girl-because with lines like "she's just sixteen years old/Leave her alone, they say," it's just too creepily cringy to contend with otherwise.) "We Just Disagree" builds as the best Yacht Rock songs do, even if it may be too gloomy in subject matter (the breaking up of a relationship). "Key Largo" by Tampa Bay area native Bertie Higgins may be more Tropical Rock than Yacht Rock, but it's yachty enough to make the cut; besides, who can resist the Humphrey Bogart and Lauren Bacall allusions? And Rupert Holmes's "Escape," the last word in 70's pop, is what many people think of when they read the term "Yacht Rock." And yes, it may be excessively wordy for the genre, complete with a twist ending, but to leave it off the list entirely would be a pop culture misdemeanor if not a crime. For the purists who will not escape the strict Yacht Rock guidelines and unnecessarily nix great and yachty songs like these, then we just disagree.

94. YAH-MO BE THERE [James Ingram with Michael McDonald; 1983; Chart Position on the Billboard Hot 100: #19]

A Yacht Rock staple and the first appearance of the ubiquitous Mr. McDonald on our list. I'm sure more than one person agrees with Paul Rudd from the move The 40-Year-Old Virgin when he, having McDonald's songs on a continuous loop at his work place, exclaims, "...If I hear 'Yah-Mo Be There' one more time, I'm gonna 'yah mo' burn this place to the ground!"

93. BREEZIN' [George Benson; 1976; Chart Position on the Billboard Hot 100: #63]

The first of two instrumentals on the list and the initial Yacht Rock sighting of George Benson. I mentioned earlier that none of these songs should be compared to paintings by Winslow Homer, but if any comes close, it's this one, especially Homer's "Breezin' Up." Try looking at the painting and hearing the Benson hook at the same time, and I'll see you in the morning.

92. FOOLISH HEART [Steve Perry; 1984; Chart Position on the Billboard Hot 100: #8]

Although Steve Perry is more famous as the onetime front man for Journey, and for making "Don't Stop Believin'" the most overplayed track from the Eighties, this is his sole entry into my Yacht Rock 101. His smooth voice haunts this with an uber-emotional yearning that seldom finds its way onto the feel-good vibes found elsewhere on this list.

91. 99 [Toto; 1979; Chart Position on the Billboard Hot 100: #26]

Chalk up another inspiration from a George Lucas film, although not the film you may think it is. Star Wars may be Lucas' biggest achievement, but this song takes its idea from the seldom-seen Lucas cult hit, THX 1138 , which is dystopian cold in feeling. That such a stark story (losing your identity and only being known as numbers) gets the smooth pop-light Toto treatment can only be construed as ironic.

90. ONE STEP CLOSER [The Doobie Brothers; 1980; Chart Position on the Billboard Hot 100: #24]

The Doobie Brothers' last gasp of the Michael McDonald era before our bearded musical Michelangelo would meander into a solo career.

89. HARD HABIT TO BREAK [Chicago; 1984; Chart Position on the Billboard Hot 100: #3]

Love is an addictive drug that lasts years in this beautiful if not overwrought ballad produced by David Foster.

88. DO RIGHT [Paul Davis; 1979; Chart Position on the Billboard Hot 100: #23]

A rare example of RYR: Religious Yacht Rock. Certainly the most unabashedly Christian song on the list, its opening lines like something out of an old Jim and Tammy Bakker telecast from the early 1980's: " I know that he gave his life for me/Set all our spirits free/So I want to do right, want to do right/All of my life ..." Musically it has a total yacht quality, a toe-tapping buoyant drive, that didn't stop it from being the 10 th biggest Adult Contemporary Christian hit of 1980.

87. DON'T TALK TO STRANGERS [Rick Springfield; 1982; Chart Position on the Billboard Hot 100: #2]

A year after "Jessie's Girl," Rick Springfield nearly hit the top of the charts with this Yacht Rock plea of jealous rage (though Springfield's demeanor doesn't come across as "rage"; he seems disdainful but laid back, which is why this perfectly fits the YR mold). It's too much fun to rival "Every Breath You Take" in the paranoid Top-10 hit department. Make sure not to miss the lyrics in French near the song's end which are there because...well, I don't know exactly why they're there, but I appreciate the nod to Francophiles.

86. WAITING FOR YOUR LOVE [Toto; 1982; Chart Position on the Billboard Hot 100: #73]

This is Toto's third song in the 101, paving way for claims that they should be the final slot on the Yacht Rock Mount Rushmore. "Waiting for Your Love" may not have hit big, stalling at a disappointing #73 on the charts, but has since been cited as one of Toto's greatest songs.

85. IT KEEPS YOU RUNNIN' [The Doobie Brothers; 1976; Chart Position on the Billboard Hot 100: #37]

Michael McDonald's soulful vocals and the band's mesmerizingly funky rhythm catapult this entry into the stratosphere. Yes, it was shoved onto the soundtrack of Forrest Gump , but its Yacht Rock status comes from it being featured in another film (and soundtrack that is a Yacht Rock purist's dream): the forgotten film FM (which spawned an even higher entry on this list...Steely Dan's infectious title cut).

84. LOOK WHAT YOU'VE DONE TO ME [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #14]

Boz Scaggs wasn't born with the name "Boz." Actually born William Royce Scaggs, he got the nickname "Boz" after someone kept wrongly referring to him as "Bosley" at St. Marks Academy. And with a name like "Boz," Yacht Rock elite status was certainly destined. In the 1970's, Scaggs would perfect that laid back soft rock sound with a slight funky beat, the quintessence of Yacht Rock. This song, slower than most on this list, would become his big reaching-for-the-stars power pop ballad, and it didn't hurt that it was featured in a John Travolta film (Urban Cowboy).

83. KISS YOU ALL OVER [Exile; 1978; Chart Position on the Billboard Hot 100: #1]

It's hard to imagine that learned people that I deeply admire have a difficult time including this as a Yacht Rock staple. With synthesized strings and inspired by the grizzly growling org*smic sound of Barry White in "It's Ecstasy When You Lay Down Next To Me," "Kiss You All Over" was voted ninth in Billboard's 2010 list of "The 50 Sexiest Songs of All Time" (for the record, "Physical" was #1).

82. BABYLON SISTERS [Steely Dan; 1980; Chart Position on the Billboard Hot 100: N/A]

Dante-esque tour of California, with the jaded Yacht Kings, Steely Dan, playing the part of Virgil as your guide. Singing backup on this track, crooning those haunting words "Here comes those Santa Ana winds again," is none other than Patti Austin, who will be even more involved with another Yacht Rock classic that you'll find further down the list [see "Baby, Come to Me"]. A delicious downer.

81. SMOKE FROM A DISTANT FIRE [Sanford Townsend Band; 1977; Chart Position on the Billboard Hot 100: #9]

One of the great One Hit Wonders of the 1970's.

80. HOLD THE LINE [Toto; 1978; Chart Position on the Billboard Hot 100: #5]

The song that put the session musicians of Toto on the map and the fourth of their hits to make our 101.

79. TAKIN' IT TO THE STREETS [The Doobie Brothers; 1976; Chart Position on the Billboard Hot 100: #13]

The world was introduced to Michael McDonald as a Doobie right here, their first song written by him for the Doobie's and with him on lead vocals. And thus, the King of Yacht Rock started his reign. Also, who can forget the 1978 episode of "What's Happening" with Rerun illegally recording the Doobie's singing this very song?

78. KEEP THE FIRE [Kenny Loggins; 1979; Chart Position on the Billboard Hot 100: #36]

Mr. and Mrs. Howell, let me introduce you to our next entry...Kenny Loggins with his very own Herbie Hancock-inspired vocoder long before it was in vogue.

77. ISN'T IT TIME [The Babys; 1977; Chart Position on the Billboard Hot 100: #13]

Michael Corby's opening piano, backed with syrupy violins, leads way to John Waite's oxymoronic soft bombastic vocals and Tony Brock's pulsating drum work. Lisa Freeman-Roberts, Myrna Matthews and Pat Henderson get their gospel groove on while backing Waite's hearty screech in this scrumptious pop treat.

76. YOU CAN'T CHANGE THAT [Raydio; 1979; Chart Position on the Billboard Hot 100: #9]

A cool breeze of a song by Ray Parker Jr. & Co., one of the few Yacht Rock light-soul classics that you can dance to, though it's way too laid back to be considered disco. A song that immediately puts you in a good mood no matter how bad your day had been previously.

75. LIDO SHUFFLE [Boz Scaggs; 1976; Chart Position on the Billboard 100: #11]

Boz again, with this ode to a drifter looking for some luck. The galvanizing music would be created by none other than David Paich (keyboards), David Hungate (bass), and Jeff Porcaro (drums), all of them future members of Toto. Whoa-oh-oh-oh!

74. WHAT'CHA GONNA DO? [Pablo Cruise; 1977; Chart Position on the Billboard Hot 100: #6]

Is there a more apt band name for Yacht Rock greatness than "Pablo Cruise"? And this tune, a key part of that summer of 1977, was where they first introduced themselves to us in all their infectious pop-light glory. The group hit #6 in the U.S., which isn't bad, but Canada got it right when they elevated this tasty morsel to #1 on their charts.

73. SENTIMENTAL LADY [Bob Welch; 1977; Chart Position on the Billboard Hot 100: #8]

Bob Welch, a former member of Fleetwood Mac, originally recorded this for their 1972 album Bare Trees . After leaving the band, he recorded it again, giving it the lush Yacht Rock treatment. Fleetwood Mac may not be considered official Yacht Rock gurus, but this song comes closest, with the majority of their members performing on it: Mick Fleetwood on drums, John McVie on bass, Christine McVie on piano as well as joining Lindsey Buckingham in background vocals. All that's missing is Stevie.

72. MISS SUN [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #14]

We can thank this record for giving us our beloved Toto. Originally recorded by them in 1977, and due to their tight musicianship, Toto made a deal with Columbia Records solely based on their performance of this song. Ironically, it didn't make Toto's first LP, but Boz and the Toto gang recorded it for his Hits! compilation and the rest is Yacht Rock history.

71. JOSIE [Steely Dan; 1977; Chart Position on the Billboard Hot 100: #26]

One of Steely Dan's very best, especially Chuck Rainey's hypnotic bass. And those lyrics: " When Josie comes home/So bad/She's the best friend we ever had/She's the raw flame/The live wire/She prays like a Roman/With her eyes on fire." Question: Where is Josie coming home from? College? War? Prison? With Steely Dan's don't-care-if-listeners-understand-them obtuse lyrics, we'll never know.

70. YOU ARE THE WOMAN [Firefall; 1976; Chart Position on the Billboard Hot 100: #9]

69. STILL THE ONE [Orleans; 1976; Chart Position on the Billboard Hot 100: #5]

Two light-rock classics from Year One of Yacht Rock. "You Are the Woman" would become a quasi-staple of yachty wedding reception playlists, especially if a flautist happened to be on board; "Still the One" would be the commercial jingle for both ABC-TV in the 1970's and Applebee's restaurants just a couple of years ago.

68. YEAR OF THE CAT [Al Stewart; 1976; Chart Position on the Billboard Hot 100: #8]

Perhaps the most haunting song on the list; it's what you get when you mix Casablanca with the Vietnamese Zodiac.

67. THUNDER ISLAND [Jay Ferguson; 1977; ; Chart Position on the Billboard Hot 100: #9]

This passionate ode to island lovin' can be heard in Anchorman 2 , the hockey movie Miracle , and the great "To'Hajiilee" episode of Breaking Bad .

66. RICH GIRL [Hall & Oates; 1977; ; Chart Position on the Billboard Hot 100: #1]

Hall & Oates first chart-topper and perhaps the first #1 single to use the word "bitch" in it. Interestingly, the song was written about a guy initially-the spoiled heir to a Chicago-based entrepreneur who owned Walker Bros. Original Pancake House and ran fifteen KFC restaurants; the gender of the person was changed and the song suddenly became destined for pop culture immortality. And yes, it entered skin-crawling notoriety when Son of Sam himself, David Berkowitz, claimed the song inspired him to continue his serial killing rampage that paralyzed New York City that summer of '77.

65. MORNIN' [Al Jarreau; 1983; Chart Position on the Billboard Hot 100: #21]

64. LOVELY DAY [Bill Withers; 1977; Chart Position on the Billboard Hot 100: #30]

Two of the peppiest songs imaginable, both about splendid sunshine days, perfect for relaxing while you count your money on your very own yacht. Jarreau's "Mornin'" sounds like the feel-good opening of a Broadway show, while Withers hit the motherlode with "Lovely Day," ubiquitous in ads and movies for the past 45 years, complete with an impressive 18-second note that Withers sings that may be the longest ever in a Top-40 hit

63. ARTHUR'S THEME (BEST THAT YOU CAN DO) [Christopher Cross; 1981; Chart Position on the Billboard Hot 100: #1]

Christopher Cross is up there with Michael McDonald as the face of Yacht Rock, and this Academy Award winner for Best Song from the movie Arthur put Cross at the pinnacle of his success. He never came close to those heights again, but Yacht Rock gave his cannon (and career) a whole new life.

62. LONELY BOY [Andrew Gold; 1976; Chart Position on the Billboard Hot 100: #7]

Teenage psychopathy never sounded so good.

61. BEING WITH YOU [Smokey Robinson; 1981; Chart Position on the Billboard Hot 100: #2]

Smokey's "Being with You" was kept out of the #1 position because Kim Carnes' owned the top of the '81 charts with the behemoth "Bette Davis Eyes." So the story goes, Smokey loved Carnes' version of his own "More Love" from the year before that he wrote a song specifically for her...and that song was "Being with You." But it was such a strong tune that he opted to record it himself and eventually had to settle with it at #2, behind the person who the song was originally intended for.

60. HOW MUCH I FEEL [Ambrosia; 1978; Chart Position on the Billboard Hot 100: #3]

Ambrosia is another Yacht Rock giant whose slick soft pop sound and lush harmonies would epitomize the genre.

59. LIVING INSIDE MYSELF [Gino Vannelli; 1981; Chart Position on the Billboard Hot 100: #6]

Is this too intense for Yacht Rock? Maybe at times with Vannelli's head-bursting vocals. But it's a musical treasure trove, at times as dramatic as any Hamlet soliloquy, and Vannelli sings it like an overemotive Johnnie Ray resurrected with big hair.

58. JOJO [Boz Scaggs; 1980; Chart Position on the Billboard Hot 100: #17]

Smoothly soulful as it is , "Jojo" deals with the darker side of Yacht Rock. The title character is quite obviously a pimp, especially with lines like "fifty dollars, he'll get you all you want" or "His baby stays high...he keeps her on the street." As rough as the thematic waters may seem, the music is smooth sailing, the perfect fusion of pop, jazz and funk. All this and Toto, too.

57. WHAT YOU WON'T DO FOR LOVE [Bobby Caldwell; 1978; Chart Position on the Billboard Hot 100: #9]

Of course this made the list. A heart-shaped pressing of the song was released just in time for Valentine's Day, 1979, and cost a whopping $7.98 from consumers (which was the price of most LP's back then) . So many artists from Boys II Men, Michael Bolton and even Tupac Shakur either covered it or sampled its contagious mellowness.

56. LOVE TAKES TIME [Orleans; 1979; Chart Position on the Billboard Hot 100: #11]

At the time, here's how Cash Box described the music of this winner: "...synthesizer coloration, firm pounding beat, piano, searing guitar fills, tambourine and dynamic singing." In other words, 100% pure Yacht Rock!

55. KISS ON MY LIST [Hall & Oates; 1980; Chart Position on the Billboard Hot 100: #1]

Certainly on my list of the best things in life.

54. SO INTO YOU [Atlanta Rhythm Section; 1977; Chart Position on the Billboard Hot 100: #7]

The lightest of Southern Rockers, Atlanta Rhythm Section's laid back brand of guitar rock suited the late 70's perfectly, a nice alternate to the disco pandemic but not quite in Lynryd Skynyrd territory either. Also, is the title "So Into You" a double entendre? And were the lyrics more sexually explicit than we ever imagined? " It's gonna be good, don't you know/From your head to your toe/Me into you, you into me, me into you..."

53. YOU'RE THE ONLY WOMAN [Ambrosia; 1980; Chart Position on the Billboard Hot 100: #13]

In sone ways Ambrosia may be the most Yacht Rocky of all groups (don't worry, Toto and Steely Dan will always give them a run for the money). But this song underscores the carefree feel of the genre, like reclining on a yacht with these words on the breeze in the background: "You and I've been in love too long/To worry about tomorrow/Here's a place where we both belong/I know you're the only woman I'm dreaming of..." Not worrying about tomorrow, just floating without a care in tthe world. Is there anything more yachty than that?

52. I'D REALLY LOVE TO SEE YOU TONIGHT [England Dan & John Ford Coley; 1976; Chart Position on the Billboard Hot 100: #2]

Ingenious opening, the listener privy to a one-way phone conversation: " Hello, yeah, it's been a while/Not much, how 'bout you?/I'm not sure why I called/I guess, I really just wanted to talk to you ..." It's up to the listener to decide whether the caller is pathetic or sweet. "I'd Really Love to See You Tonight" may be the perfect easy listening song of all time, better than anything by Barry Manilow (who would cover it decades later); it's its sing-along boisterousness that saves it from being unceremoniously tossed into the Nyacht Rock bin.

51. EVERY TIME I THINK OF YOU [The Babys; 1978; Chart Position on the Billboard Hot 100: #13]

Another feel-good Babys bombast, pounding the power pop vibes in a song that's both intense and full of positive feelies.

50. ALL NIGHT LONG (ALL NIGHT) [Lionel Richie; 1983; Chart Position on the Billboard Hot 100: #1]

This massive hit has a bit of everything, a sort of melting pot of styles--adult contemporary, pop, R&B, Richie's soothing easy listening vocals, all to a Caribbean beat. The song was everywhere in 1984, in the popular music video (directed by Five East Pieces' Bob Rafelson and produced by Mike Nesmith of the Monkees), heard in the premiere of "Miami Vice," and sung by Richie at the closing ceremonies of the '84 Olympics. And what is the translation of the lines, " Tom bo li de say de moi ya/Yeah jambo jumbo"? Don't even bothering going to Google Translate; turns out they're just gibberish with no deeper meaning. No deeper meaning, i.e. the way we like our Yacht Rock.

49. IF YOU LEAVE ME NOW [Chicago; 1976; Chart Position on the Billboard Hot 100: #1]

So popular that it's featured in works as diverse as "The Modern Family," "South Park," Shaun of the Dead and even the video game, Grand Theft Auto V . It's perhaps the most soaring, lush, heartfelt and yearning ballad on the list, with Peter Cetera's lead vocals drowning listeners in waves of pure reverie.

48. JUST REMEMBER I LOVE YOU [Firefall; 1977; Chart Position on the Billboard Hot 100: #11]

Such a sober, serious song in such a vibrantly feel-good genre, and yet it's uplifting and filled with hope. I think of someone on the verge of suicide, maybe wanting to jump off a building or maybe seeking help calling a hotline, and the singer, perhaps a close friend, talking him or her down: " When there's so much trouble that you want to cry/When your love has crumbled and you don't know why/When your hopes are fading and they can't be found/Dreams have left you waiting, friends let you down..." But then the friend reminds the sorrowful soul, "just remember I love you and it will be all right" and that "maybe all your blues will wash away..." And that's really what Yacht Rock does, doesn't it? It washes those blues away.

47. BABY, COME TO ME [Patti Austin & James Ingram; 1982; Chart Position on the Billboard Hot 100: #1]

As with so many songs on this list, Michael McDonald adds superb backing vocals here, in this enchanting ballad made famous by its appearance on "General Hospital" as Luke and Holly's love song.

46. HEY NINETEEN [Steely Dan; 1980; Chart Position on the Billboard Hot 100: #10]

An aging boomer can't connect with his young lover; not quite Nabokovian but close, especially when the leering singer exclaims to his youngling in the perviest way possible, "Skate a little lower now!" The 19-year-old girl in question doesn't even know who Aretha Franklin is; I was 18 when the song was released and I sure knew the Queen of Soul as did most of my peers. Who, I wondered way back when, is this ditsy girl? Perhaps the most startling thing about the work is the singer's unblinking dive into cocaine and alcohol in order to be able to deal with a world that is slowly leaving him behind: " The Cuervo Gold / The fine Colombian / Make tonight a wonderful thing..."

45. YOU BELONG TO ME [Carly Simon; 1978; Chart Position on the Billboard Hot 100: #6]

44. HE'S SO SHY [The Pointer Sisters; 1980; Chart Position on the Billboard Hot 100: #3]

43. THROUGH THE FIRE [Chaka Khan; 1984; Chart Position on the Billboard Hot 100: #60]

Yacht Rock is not known for its diversity. Of course there are several songs by people of color, and there are definitely strong women on the chart, but we would be remiss if we did not mention that overall the genre is mostly male and white. But the women who do appear on the list have created some of the finest tunes of them all. Carly Simon's wondrous "You Belong to Me," written by Simon and Michael McDonald with backing vocals by James Taylor, started as a Doobie ballad, but Simon's more poignant version actually bests the "Brothers." The Pointer Sisters are not Yacht Rock, but their hit, "He's So Shy," certainly is; that they sang it with Isaac on an infamous episode of "The Love Boat" is about the highest order of Yachtdom there is. And Chaka Khan's "Through the Fire," produced by David Foster, is one her all-time greatest songs, even though it didn't score big in the Land of the Hot-100; still, Khan's vocals are breathtaking in this scorching torchy ballad that is nothing short of Yacht Rock gold bullion.

42. TIME OUT OF MIND [Steely Dan; 1980; Chart Position on the Billboard Hot 100: #22]

One of the funkiest songs about heroin ("chasing the dragon") ever written.

41. AN EVERLASTING LOVE [Andy Gibb; 1978; Chart Position on the Billboard Hot 100: #5]

40. AFTER THE LOVE HAS GONE [Earth, Wind & Fire; 1979; Chart Position on the Billboard Hot 100: #2]

39. I CAN'T TELL YOU WHY [The Eagles; 1979; Chart Position on the Billboard Hot 100: #8]

38. HUMAN NATURE [Michael Jackson; 1982; Chart Position on the Billboard Hot 100: #7]

Not all Yacht Rock hits are by Yacht Rock artists, as is the case with these four songs. The Bee Gees are definitely not Yacht Rock, especially their disco hits, and neither is brother Andy Gibb...with one exception. Gibb's "An Everlasting Love" with its nonstop overlapping vocals (combined with Barry Gibb's falsetto and the string arrangement) make this irresistible. Earth, Wind & Fire's "After the Love Has Gone," another David Foster masterpiece, with its rousing vocals and brilliant use of horns, is EWF's most gorgeous tune. The Eagles, certainly not a Yacht Rock group (though often mistaken as such), has one hit in their oeuvre that's unadulterated YR: "I Can't Tell You Why," with Timothy B. Schmidt, pulling out his inner Smokey Robinson and Al Green, providing its stirring lead vocals. And Michael Jackson's Yacht Rock entry, "Human Nature" from the Thriller album , was backed by members of Toto, with some of Jackson's most lush vocals, and is the dictionary definition of the word "euphoric."

37. HOT ROD HEARTS [Robbie Dupree; 1980; Chart Position on the Billboard Hot 100: #15] There are so many hits in the rock era about two teenagers making love in a parked car, from "Night Movies" to "Paradise By the Dashboard Lights," but "Heart Rod Hearts" may be the most daring of them all in its own way: " Ten miles east of the highway/Hot sparks burnin' the night away/Two lips touchin' together/Cheek to cheek, sweatshirt to sweater/Young love born in a back seat/Two hearts pound out a back beat / Headlights, somebody's comin'..." And obviously that last lyric just quoted has a rather sordid double meaning.

36. JUST THE TWO OF US [Grover Washington, Jr. with Bill Withers; 1981; Chart Position on the Billboard Hot 100: #2]

This jazzy ballad, with Withers' heart full o' soul vocals, is a soft-jazz saxfest, later spawning Will Smith's cover (about fathers and sons), Bill Cosby's unlistenable "Just the Slew of Us," and, most hilariously, Dr. Evil's duet with Mini Me in Austin Powers: The Spy Who Shagged Me .

35. MAGNET AND STEEL [Walter Egan; 1978; Chart Position on the Billboard Hot 100: #8]

Inspired by Fleetwood Mac's Stevie Nicks, who sings backup in it, "Magnet and Steel" is totally yachtriffic, with inspiring heavenly harmonies. A sort of musical snapshot of 1978, this light-rock masterwork is featured in the phenomenal Boogie Nights and the phlegmatic Deuce Bigalow: American Gigolo .

34. WHENEVER I CALL YOU FRIEND [Kenny Loggins with Stevie Nicks; 1978; Chart Position on the Billboard Hot 100: #5]

One of the great duet tracks on the list, written by Loggins and Melissa Manchester. When first released, because Stevie Nicks is not credited on the original 45 single, this was officially considered Loggins first solo Top-40 hit.

33. GIVE ME THE NIGHT [George Benson; 1980; Chart Position on the Billboard Hot 100: #4]

Yacht Rock was created for George Benson's jazzy-guitar, cool-funk sensibilities. Although "Give Me the Night" may border on disco, it's not quite there and rests firmly in our beloved Yacht Rock territory.

32. NEVER BE THE SAME [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #15]

Love never dies, not even after a break up, not even after you've found someone else; that's what this Christopher Cross song teaches us: " The years go by, there's always someone new/To try and help me forget about you/Time and again it does me no good/Love never feels the way that it should..."

31. TIME PASSAGES [Al Stewart; 1978; Chart Position on the Billboard Hot 100: #7]

There's a floating, drifting quality to the song, as '70's mellow as they come. The top single of the year on the Easy Listening charts, "Time Passages" has Al Stewart's thin voice singing, " Drifting into time passages / Years go falling in the fading light / Time passages/Buy me a ticket on the last train home tonight..." If he had sung about a "yacht" rather than a "train," then this classic might rest even higher on the YR list.

30. REAL LOVE [The Doobie Brothers; 1980; Chart Position on the Billboard Hot 100: #5]

29. LOTTA LOVE [Nicolette Larson; 1978; Chart Position on the Billboard Hot 100: #7]

Nicolette Larson sings backup on the Doobie's third biggest hit, "Real Love," and lead on her sweet cover of Neil Young's "Lotta Love." Take the lyric, "It's gonna take a lotta love/To change the way things are..." In Young's version, he comes across as rather somber, yearning, on the verge of melancholia, like it's a wish that he knows can never be fulfilled; Larson sings with a Melanie-like playfulness to a disco-light beat, and in her hands the song becomes life-affirming, vivacious, with a somewhat positive can-do attitude that's not found in the original.

28. I'M NOT GONNA LET IT BOTHER ME TONIGHT [Atlanta Rhythm Section; 1978; Chart Position on the Billboard Hot 100: #14]

This song's sensibility is all Yacht Rock...that the world is in upheaval, and there are terrors out there waiting to destroy us, but who cares when we can save the worry for another day? This outlook stands as the true philosophy of procrastination found in Yacht Rock: " About all the pain and injustice / About all of the sorrow / We're living in a danger zone / The world could end tomorrow/But I'm not gonna let it bother me tonight..."

27. FEELS SO GOOD [Chuck Mangione; 1978; Chart Position on the Billboard Hot 100: #4]

The title of this flugelhorn-driven instrumental says it all.

26. ALL RIGHT [Christopher Cross; 1983; Chart Position on the Billboard Hot 100: #12]

If you're ever down and troubled, then do yourself a favor: Put on Christopher Cross' "All Right," with MM's patented backing vocals, and watch as the bad times wash away and a smile creeps upon your face. This stands as perhaps the most optimistic song ever written: "'Cause it's all right, think we're gonna make it/Think it might just work out this time..."

25. TURN YOUR LOVE AROUND [George Benson; 1981; Chart Position on the Billboard Hot 100: #5]

George Benson + Toto + David Foster + Jay Graydon on guitar + an early use of the Linn LM-1 Drum machine = Yacht Rock platinum status.

24. MINUTE BY MINUTE [The Doobie Brothers; 1978; Chart Position on the Billboard Hot 100: #14]

Listening to this Michael McDonald marvel of mellowness beats Xanax any day.

23. ONE HUNDRED WAYS [Quincy Jones and James Ingram; 1981; Chart Position on the Billboard Hot 100: #14]

What a perfect example of scrumptiously soft soul music with the velvet voice of Mr. Ingram leading the way, singing a litany of 100 things to romance his lady. He's never been better than a moment in this Grammy-winner, when he hits outrageous notes while singing, "Sacrifice if you care/Buy her some moonlight to wear..." To quote Robert Palmer: Simply irresistible.

22. I LOVE YOU [The Climax Blues Band; 1981; Chart Position on the Billboard Hot 100: #12]

This surely plays on rotation in heaven.

21. BAKER STREET [Gerry Rafferty; 1978; Chart Position on the Billboard Hot 100: #2]

Is this the coolest Top-5 hit of the 1970's? With Raphael Ravencroft's searing saxophone riff rivaling anything by Clarence Clemons, the answer must be a resounding YES!

20. FM (NO STATIC AT ALL) [Steely Dan; 1978; Chart Position on the Billboard Hot 100: #22]

Perhaps the only Top-40 hit where the songwriters dare to rhyme "Elvis" with "yells his" and sing about "grapefruit wine." Recorded as the title song for a little-known 1978 film, FM, the significance of this Grammy-winning Steely Dan song cannot go unnoticed. The year it was released was the first time FM radio (clearer sound, no static at all) superseded AM radio (too much static) in listening popularity. So, if you ran an AM station and had to play a song called "FM" in rotation-a song about your competitor, a radio format that was making you obsolete-then what would you do? In the case of some stations, they edited the Steely Dan track and put the "A" sound from the group's song "Aja" where the "F" in "FM" should be. Their newly fine-tuned tune would be called "AM," even though the repeated phrase of "no static at all" would now make no sense whatsoever.

19. COOL NIGHT [Paul Davis; 1981; Chart Position on the Billboard Hot 100: #11]

Paul Davis' ultimate love song, even stronger than his iconic "I Go Crazy." Its boppin' bliss shields the fact that the lead singer is lost: " I sometimes wonder why /All the flowers have to die / I dream about you /And now, Summer's come and gone / And the nights they seem so long ..." But this is Paul Davis, and nothing can bring him down, not when there's a cool night comin' and he invites his love to join him by the fire so that they can bring "back memories of a good life when this love was not so old..." The singer's optimism is so heartfelt, and this being Yacht Rock, we know that these two will ultimately get back together.

18. REMINISCING [Little River Band; 1978; Chart Position on the Billboard Hot 100: #3]

This slick throwback to a black-and-white Cole Porter world should be on any indispensable wedding reception playlist, starting with a young couple falling in love and ending when they're older, spending their hours looking back at their good times. You would think this melodic pop treasure would be a Paul McCartney fave, but in an interesting twist, it was John Lennon who claimed "Reminiscing" as one of his favorite songs.

17. DEACON BLUES [Steely Dan; 1978; Chart Position on the Billboard Hot 100: #19]

This slick, sprawling mega-work about a midlife crisis is the most epic of Yacht Rock songs, its jazzy War and Peace , a veritable A la Recherche du Tremps Perdu . If you want to hear a fan of the University of Alabama cheer, then play them this line: "They call Alabama the Crimson Tide/Call me Deacon Blues." Still, the song is so seriously sober in tone that few people, even the most ardent of Alabama fanatics, will be yelling "Roll Tide!" after hearing it.

16. BABY COME BACK [Player; 1977; Chart Position on the Billboard Hot 100: #1]

Tranquil and comforting even though it was written after two of the Player members suffered recent break-ups. Pop culture has had a heyday with its infectious hook, with "Baby Come Back" popping up in the Transformers, "The Simpsons," "King of the Hill" and even a "General Hospital" ep featuring the band themselves playing this classic live.

15. AFRICA [Toto; 1982; Chart Position on the Billboard Hot 100: #1]

The Gods of Yacht Rock blessed the reign of this "Africa," Toto's sole #1 single that has been hailed by Rolling Stone magazine as "The New 'Don't Stop Believin'." It's been utilized in such works as Stranger Things, South Park and Grand Theft Auto: Vice City . During the funeral of Nelson Mandela, CBS accompanied the footage with this song, raising more than one eyebrow. But if you haven't heard the song in awhile, or have never heard it (who are you?), then please heed the song's advice: "Hurry, boy, it's waiting there for you!"

14. MOONLIGHT FEELS RIGHT [Starbuck; 1976; Chart Position on the Billboard Hot 100: #3]

"The wind blew some luck in my direction/I caught it in my hands today..." One of the earliest Yacht Rock ventures on the list, with nods to French Connections, Ole Miss, the Chesapeake Bay, Southern Belles ("hell at night") and 1974 graduates ("a class of '74 gold ring"). According to Casey Kasem on AT-40, it was also the first song to chart that featured a marimba. Wafts along so joyfully, complete with suggestive giggles at the end of a particularly evocative verse.

13. COOL CHANGE [Little River Band; 1979; Chart Position on the Billboard Hot 100: #10]

In its own way, perhaps the yachtiest song on the list, a plea for escape, to come to terms with nature, to sail away on the "cool and bright clear water." It's not unlike Thoreau's "Walden Pond" set to music: "Well, I was born in the sign of water/And it's there that I feel my best/The albatross and the whales, they are my brothers/It's kind of a special feeling/When you're out on the sea alone/Staring at the full moon like a lover..." With "Cool Change," we don't need to journey outdoors to escape by emracing nature, to climb mountains or to sail the seas; we have the song itself which, to this listener, becomes the perfect escape without ever having to leave the house.

12. THIS IS IT [Kenny Loggins; 1979; Chart Position on the Billboard Hot 100: #11]

"It's not a love song," Loggins once said. "It's a life song." If you want proof of American exceptionalism, go no further than here, because this is it . Although written for personal reasons, the song was needed when America was a bit down and out, "our backs to the corner" so to speak: Long gas lines, the Three Miles Island nuclear catastrophe, the cold war in its iciest state in years, and American hostages in Iran. And this song said it best: "Sometimes I believe/We'll always survive/Now I'm not so sure..." But then he stands tall and proclaims: "For once in your life/Here's your miracle/Stand up and fight!" I look at today, when America and the world once again are down and out (with soaring gas prices, gun violence, Russia invading the Ukraine and extreme tribalism); it's not a bad idea to play "This Is It" at full volume in order to lift our spirits, to help us stand up and fight through these dark days.

11. RIDE LIKE THE WIND [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #2]

It's like something you'd find in a Sam Peckinpah film: A murderer of ten people is on the run, escaping inevitable execution (by hanging), chased by a posse all the way "to the border of Mexico." And yes, in "Ride Like the Wind," the bad guy gets away with it in this thrilling ride of a song, both driving and jazzy, with the trumpeting death horns and Michael McDonald's background vocals seemingly chasing the outlaw lead singer. Only recently I discovered that the line in the song is "gunned down ten," not "Gunga Din"; am I the only one who misunderstood these lyrics for most of my life?

10. LOWDOWN [Boz Scaggs; 1976; Chart Position on the Billboard Hot 100: #3]

Here's the "dirty lowdown" (the honest truth) about "Lowdown." Boz Scaggs reinvented himself as the sunglasses-at-night bastion of cool with this soft-funk, discofied killer of a track. It was written by Scaggs and David Paich, their first collaboration; Paich, as you may know, would later go on to form the group Toto. Their creation would be honored with a Grammy win for best R&B song, and Scaggs would become the first white artist to win the award in that particular category. It could have also been one of the great additions to the Saturday Night Fever soundtrack, which the filmmakers wanted, but Boz's manager nixed the idea. They lost tons of money and popularity by settling for the soundtrack of the trauma-drama, Looking for Mr. Goodbar , where incidentally I first heard the song and wound up playing it over and over again long after it was a Top-10 hit.

9. LOVE WILL FIND A WAY [Pablo Cruise; 1978; Chart Position on the Billboard Hot 100: #6]

"Shadow Dancing" may have been the #1 song of '78, but it's this Pablo Cruise rollicking heap of pop brilliance that overfilled the radio airwaves that summer the way ivy covers the walls of Harvard. It was everywhere, and you couldn't escape it: "Once you get past the pain/You'll learn to find your love again." Such optimism, such hope, "Love Will Find a Way" became the signature hit of that fun-filled summer. It wasn't deep, but don't worry, it was happy. Pablo Cruise actually exemplifies the YR genre, the positive vibes perfect for summertime paradise by a band long forgotten, now remembered endearingly and, due to the recent adoration of Yacht Rock, justifiably immortalized.

8. ROSANNA [Toto; 1982; Chart Position on the Billboard Hot 100: #2]

The ultimate Toto tune and, thus, one of the Ultimate Yacht Rock entries. Named after Rosanna Arquette, the song became the summer anthem of '82, nesting at #2 for five weeks. The song's West Side Story -inspired music video featured Patrick Swayze, a year before The Outsiders, in a small part and Cynthia Rhodes as the title girl. Sylvester Stallone, who was directing Stayin' Alive at the time, saw Rhodes in the video and immediately cast her as a lead in his film. Stayin' Alive turned out to be a bad film, but it's a great story.

7. PEG [Steely Dan; 1977; Chart Position on the Billboard Hot 100: #11]

Welcome to L.A. where we're at a questionable photoshoot for an actress/model of perhaps ill-repute named Peg; narrating it is a disgruntle, sarcastic boyfriend who keeps her pictures with him and loves her even more due to her fame or infamy. The mention of foreign movies in the lyrics brings to mind seedier fair for our Pag, perhaps pornography. But any Steely Dan darkness that shrouds "Peg" is eclipsed by the jubilant music, so springy, so animated, so full of verve. Add Michael McDonald's patented backing vocals and Jay Graydon's guitar work, and you have nothing less than a fist-in-the-air triumph .

6. I KEEP FORGETTIN' (EVERY TIME YOU'RE NEAR) [Michael McDonald; 1982; Chart Position on the Billboard Hot 100: #4]

The captain of our Yacht Rock, Michael McDonald is everywhere in this 101. If you take only the top 12 songs, his voiceprints can be found somewhere in following: #12, #11, #7, #6, #3 and #1. And this song, his first big solo scribed by both McDonald and Ed Sanford (of the Sanford Townsend Band, famous for "Smoke from a Distant Fire"), obviously typifies the genre as strong as Coca Cola typifies soda. It even boasts the title of an episode of the online video series, "Yacht Rock," which after you've seen it is something you'll never forget.

5. STEAL AWAY [Robbie Dupree; 1980; Chart Position on the Billboard Hot 100: #6]

Yes, it sounds a little too close to the bubbly beat of "What a Fool Believes." And yes, it's the only time you will ever see Robbie Dupree in a Top-10 list during the modern era. But this is a wonder of Yacht Rocky delight, so shallow, so sweetly stupid, and so infectious to the ear. Listening to it might zap a few IQ points away from you, but the song is so agreeable, so toe-tappingly charming, who cares?

4. BIGGEST PART OF ME [Ambrosia; 1980; Chart Position on the Billboard Hot 100: #3]

Michael McDonald did not sing lead or backing vocals in "Biggest Part of Me," and he didn't write it, but he does have a footnote in its creation. When Ambrosia's David Pack scribed the song, the lead singer questioned his own lyrics: " There's a new sun arisin' /I can see a new horizon /That will keep me realizin'/You're the biggest part of me..." He wondered if it was too saccharine sweet for what he wanted, so he called the authority of such things, Michael McDonald. McDonald gave the thumbs up and the rest is Yacht Rock history.

3. HEART TO HEART [Kenny Loggins; 1982; Chart Position on the Billboard Hot 100: #15]

QUESTION: What do you get when your so-good-it-makes-you-wanna-cuss song features the Holy Trinity of Yacht Rock: Kenny Loggins, Michael McDonald and David Foster? ANSWER: A masterpiece.

2. SAILING [Christopher Cross; 1980; Chart Position on the Billboard Hot 100: #1]

Yacht Rock used to be known as the West Coast style, and "Sailing" is its finest example. Hearing it is akin to being on that yacht, wearing that silly captain's hat, and just chilling as the boat gently rocks with the breeze. Its accolades are many: Grammy Awards for Song of the Year, Record of the Year, Arrangemt of the Year and Best New Artist of the Year. Wow. And time has never erased it from our lives. Over the years you could hear the song on "WKRP in Cincinnati," "Family Guy," "Cobra Kai" and Hyundai TV commercials. I don't care who you are or where you are, "Sailing" automatically takes the listener "not far down from paradise." And, like me, you can find tranquility, just you wait and see.

And now for the #1 Yacht Rock song of all time...

1. WHAT A FOOL BELIEVES [The Doobie Brothers; 1978; Chart Position on the Billboard Hot 100: #1]

All right, Mr. and Mrs. Howell, our journey ends here, with this obvious Yacht Rock classic, a song written by our popes of YR, Kenny Loggins and Michael McDonald, where the stars were aligned upon its creation and everything went right. It hit Number One on the charts as well as winning Song of the Year and Record of the Year Grammy Awards. But it's the delectable beat fusing light-jazz and lighter-funk combined with McDonald's smooth velvet vocals that takes "What a Fool Believes" into the coveted top spot. No one can argue that this is the genre's finest three minutes and forty-one seconds. When it pops up on the radio or on your playlist, the world doesn't seem to be such a bad place, not with sophisticated keen pop like this. You have to turn up the volume. And It rightfully stands tall at the Number One position, the bouncy Citizen Kane of Yacht Rock.

And that's that. Have a great summer!

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Yachty by Nature

Yacht rock songs top 100, yacht rock songs.

Check out the ultimate authority on smooth songs that really rock.  Here’s the foremost Top 100 yacht rock songs of all time. In fact, here’s the real deal. More importantly, for you aficionados, these are the songs you’ve been looking for.  Finally, we are posting the hilarious list that really helped turn us on to the best in the YR genre.  Unbelievably, the commentary on these songs and the pure genius of which songs made the list energized our thirst for the genre.  In fact, literally every song we play made the list and certainly some go to the level of yacht-adjacent but we highly recommend perusing this article.  Speaking of articles, check out our Florida adventure here.

To top it off, this list provides some videos and the classic moments that go with the song.  The comedy is real and the power of those songs is tangible.  You won’t find another list of yacht rock songs like out there.  The author certainly crafted it with care and accuracy and we really appreciate weaving the music and life together.  Honestly, you can’t read through the list without complete amusement, excitement and laughter.  It feels so good to walk through these smooth cuts and see the music’s influence on our culture and what interesting stories are told.  It’s meaningful.  These songs reverberate with the joy that we as a band play these classic vinyl cuts.

Yacht rock playlist

Furthermore, click on this link to find a website that rates the top 100 yacht rock songs of all time.  In addition, the commentary is brilliant!  Lastly, consider it Anchors AWEIGH and you can thank us later!!!!!   In fact, I’m sure many of these amazing tunes will make your new yachty playlist.  Interestingly, we discovered this article back in 2014 and clung to the magic of these tunes that make smooth music really tick.  Once you begin reading the list, it’ll be hard to put it down.  These guys are dead on and the comedy and facts and background make it priceless.

Do yourself a favor and sit down for a deep dive into the genre.  Certainly, check out 70’s soft rock and 80’s soft rock as much as they are covered in the list as well.  Inasmuch, even if you start at number 100, you’ll surely make it to 50 and 30 and more.  Ultimately, you can click the big link or The Hello Loser website to get to numbers 21 through 30 on the TOP 100 SONG LIST.

Your playlist will seriously benefit from this read.  In fact, we haven’t seen a comprehensive look at yacht rock songs like this!  And now to get back to our Electronic Press Kit, click on the EPK/MEDIA tab on the website.

Smooth Youtube series

In fact, yacht rock has a distinct criteria that makes it float.  In fact, they have a website you can check for the ultimate authority on what’s Yacht or Nyacht.  Thus, it is aptly titled, YachtorNyacht.com.  More importantly, there are elements that guide the selection of what makes the cut.  The originators JD Ryznar, Hollywood Steve, Hunter Stair, and Dave Lyons generally say it’s polished jazzy, R&B music from 1976 to 1984.  But let’s dive into the elements that the fellas use to vote on whether a song makes their list of authentic smooth songs.

Additionally, it’s that well produced complicated chord arrangement played by mainly the best session musicians of the time.  Moreover, the songs contain crafty and intricate chord changes buoyed by lush harmonies and plenty of electric piano and saxophone.  The yacht behind the rock derives from the ubiquitous nautical references in the lyrics and even the album covers.  For example, Loggins and Messina at the helm of a sailboat for the album Full Sail.  Or, simply the flamingo on the cover of Christopher Cross’ self titled album.

Now, in recent times, we’ve made much about the fact that as a live band, the music still has to groove.  In fact, yacht rock songs can be quite mellow so the band does have to keep it poppin for our audiences.  Ultimately, Yachty by Nature has found a great balance of those upbeat and mellow songs to keep the party rockin’.  Of course, we’ve been so fortunate as a band to have so much with these songs and the great venues and crowds we play to!  For your listening pleasure, we always recommend finding a great playlist on Spotify or some Yacht Rock Radio on Sirius/XM.  Additionally, our friend Eddie Ganz at YR Radio brings the smooth like none other.

Song Requests

Yachty by Nature is always adding new tunes.  In fact, it’s tough to pick the right song to put in the set, but we’re always experimenting.  Additionally, we rely on our crowd to guide the choices and we LOVE to hear those thoughts.  As you can see, we have a lot of music to cover and every shade of the rainbow within the genre of smooth music.  Like captains going from port to port, we dabble into all kinds of waters.

Shades of the Rainbow

Yachty songs occupy these certain elements but it certainly isn’t so linear.  First, from soft rock to folk rock, the yacht genre encompasses some of those mellower hits.  For example, the song Brandy is accepted by our followers but rejected by the Yacht Rock youtube series guys.  But it represents something with yachty references and somewhere in the softer and folksy earlier 70’s.  The line is drawn tight that Bread is too soft and Summer Breeze by Seals and Croft may be too early as well.  But those songs are certainly adjacent and close to the heart of what we like to do.  In fact, some of those artists emerge on the yacht like Jackson Browne, Carly Simon, and Rupert Holmes.

Yacht rock Songs subgenre

Now, there’s what we call Yacht Funk or R&B where we dip into some George Benson, Michael Jackson, Lionel Richie and even perform Warren G’s Regulate.  The Yacht Prog can be seen in Toto, Ambrosia, Alan Parsons and even narrowly Crosby, Stills, and Nash.  In fact, Yacht Country makes a splash from time to time.  Certainly Islands in the Stream and the crossover country album of Lionel Richie gives you an idea of where it’s at.  Jazz makes an appearance or two with George Benson’s Breezin’ and Smooth Operator by Sade which is one saxy mutha.

As you can see, there’s too much to say.  One angle begets another and there’s simply a lot to cover.  Perhaps we can dive into each of these levels of smooth rock sometime.  But for now, check out the Top 100 website, listen to more tunes, and even check out new smooth!  And, if you want to focus on the Top 8 yachty songs that Yachty by Nature plays, check out this article Captain Carl published.  Until then, Keep it Yachty!

#songlist #yachtrock #top100 #softrock #yachtrocksongs #yachtrockband #yachtybynature #

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Entertainment News

The greatest Yacht Rock songs of all time

How does one describe yacht rock? The folks at MasterClass did a pretty good job. Essentially, it's a component of soft rock, adult contemporary, and Album-oriented rock (AOR) all rolled into one. Popular in the late 1970s and into the '80s, there are some notable tunes of the ilk (smooth rhythms, light or "breezy" vocals, well-polished and produced) from earlier in the '70s that fall into this category.

In the spirit of easy listening fare, here is our ranking of 22 great yacht rock tunes.

20. "Lonely Boy" (1977), Andrew Gold

The Southern Californian's biggest hit, reaching No. 7 on the Billboard Hot 100. Yacht rock tracks often tell stories, and "Lonely Boy" is one of the great story songs. Whether it's autobiographical in nature has always been ripe for a casual argument. Though Gold, who passed away in 2011 at age 59, repeatedly claimed this song about a boy who felt left out following the birth of his sister was not depicting his life. The 1970s were ripe for one-hit wonders in the United States, and Gold is not still forgotten. 

19. "I Love You" (1981), Climax Blues Band

"I Love You"  is a sweet, endearing ballad. The kind of song that probably sounded great via that portable 8-track cassette player on a catamaran during an early '80s' summer. From England, Climax Blues Band scored a top-15 hit with "I Love You." Love was a dependable and generally successful topic for artists within the soft/yacht rock genre. In fact, the song is still quite popular on lite rock and adult contemporary radio stations on your FM dial for those who still like to hear their music that way. 

18. "Rosanna" (1982), Toto

Toto rightfully has a place in the yacht rock world, but the band also broke into the top-40, FM radio, and MTV mainstream with the release of 1982's Toto IV . "Rosanna" was a big reason for the album's success, peaking at No. 2 on Billboard 's Hot 100 and winning the Record of the Year Grammy Award. Sure, it's not typical yacht rock fare, per se. It's certainly heavier than other popular tracks on this list, but it's certainly a product of AOR and still routinely played in dentist offices throughout America. 

17. "Love Will Keep Us Together" (1975), Captain & Tennille

There are those historians who believe the first true example of yacht rock came with this popular '70s staple from the "Captain"   Daryl Dragon  and his wife Toni Tennille. Now, Neil Sedaka  wrote "Love Will Keep Us Together" and originally recorded the song two years earlier. Still, the duo's version was  more poppy, with a carefree vibe  that's ideal for FM radio. While Captain & Tennille's cover won a Record of the Year Grammy Award, Sedaka has noted that the Beach Boys were one of the inspirations for the tune. This makes sense since many music critics, professionals, historians, etc.. have credited the yacht rock genre as somewhat of an offshoot from the Beach Boys' collective sound. 

16. "Escape (The Pina Colada Song)" (1979), Rupert Holmes

This No.1 Billboard Hot 100 hit for England's Rupert Holmes has achieved a steady cult following over the years. Perhaps, because of the unique title and conjured images of some warm, beach-laden paradise. Yacht rock's association with summer, water, and care-free living, as a backdrop to a romantic story, is one of its appealing aspects. This song is about a couple who ultimately patch up a rough relationship through personal ads . Any time somebody of a certain age sips one of these drinks, ideally at some Caribbean resort with the warm winds off the ocean blowing, "The Pina Colada Song" should come to mind.

15. "Reminiscing" (1978), Little River Band

Formed in Australia, the soft/pop rock and often yacht rock stylings of LRB were a hit in the United States. " Reminiscing " was the band's biggest hit in America, reaching No. 3 on the Billboard Hot 100. Like many songs of this genre, "Reminiscing" is paced by the electric piano. Which also happened to be a staple of the Little River Band. Sure, it's not "breezy" like other yacht rock tunes, but Will Ferrell's Det. Allen Gamble is a big fan in The Other Guys (2010).

14. "Africa" (1982), Toto

Yes, more from Toto. If there's one popular Toto hit that whole-heartedly falls under the yacht rock moniker, it's " Africa ." The group's only song to top the Billboard Hot 100, and made a resurgence with Weezer's popular cover in recent years , "Africa," is the proper combination of mellow and poppy. It continues the Toto tradition of shared vocals, while the consistent synthesizer and keyboard presence, though more pronounced than the typical soft rock/adult contemporary vibe. 

13. "How Much I Feel" (1978), Ambrosia

L.A.'s Ambrosia, co-founded by vocalist/guitarist/songwriter David Pack and bassist Joe Puerta was all about the soft rock sound that surfaced in Southern California during the early 1970s. "How Much I Feel," from the group's third album Life Beyond L.A. , might have more of an adult contemporary vibe but certainly falls into the yacht rock category. It was one of the band's biggest hits, reaching No. 3 on the Billboard Hot 100. It's remained popular over the years, even being sampled by Kanye West.

12. "Peg" (1977), Steely Dan

Steely Dan was, in its prime, under the direction of celebrated songwriters Donald Fagan and Walter Becker, many things regarding a collective sound. Rock, pop, jazz, blues. Usually melodic, well within the soft-rock category. Songs like "Peg," from the 1977 masterpiece Aja , certainly has a yacht rock vibe, too. Perhaps most notably is that the great Michael McDonald, longtime frontman of the Doobie Brothers and driving singer-songwriter in the soft/yacht rock circles, provides backing vocals on the track. 

11. "Biggest Part of Me" (1980), Ambrosia

It really does get more yacht rock than this—smooth , with a flowing rhythm, precise, but not overbearing, harmonies . Not to mention the subtly stellar keyboard work from David C. Lewis. Throw in sessionist Ernie Watts' sax solo, and we have one great soft/yacht offering. It was the second of Ambrosia's two top-5 hits, reaching No. 3 on Billboard 's Hot 100. The version from the 1980s One Eighty  album runs about 5 1/2 minutes long. Talk about pure easy-listening joy.

10. "Summer Breeze" (1972), Seals & Crofts"

Long considered one of the great "summer songs" ever recorded. And summer-themed tunes from the 1970s tend to lend themselves to the yacht rock moniker. That said, Seals & Crofts were definitely a soft rock outfit, but with elements of folk and pop. "Summer Breeze" peaked at No. 6 on the Billboard Hot 100 during the 1970s and, again, is notable for being one of the earliest yacht rock offerings. Several other prominent artists, such as Ray Conniff, the Isley Brothers, and a stellar metal version from Type O Negative. 

9. "Ride Like the Wind" (1979), Christopher Cross

It's safe to say that Christopher Cross is the king of yacht rock. A brilliant songwriter and above-average guitar player, Cross could rock, but it's his definitive soft rock numbers that made him a star with lite-FM, adult contemporary and yacht rock fans. "Ride Like the Wind"  is the first single from Cross' stellar five-time Grammy-Award-winning self-titled debut from 1979. A more upbeat number about an outlaw running from the authorities, the track is less uplifting than other yacht rock tunes, but the vibe is the same. Of note, Michael McDonald provided backing vocals.

8. "Baby Come Back" (1977), Player

From John Friesen's steady drum intro to that durably underlaid bass line via Ron Moss to J.C. Crowley's keyboard presence begins the soft-rock brilliance of "Baby Come Back." With lyrics describing the yearning to reacquire a lost love and full-band harmonies, "Baby Come Back" just might be the quintessential offering of the yacht rock genre. It was the biggest hit for Player , the L.A.-based group that featured vocalist and song co-writer Peter Beckett, who was born in England. The tune topped the Billboard Hot 100 and still has a presence with its inclusion in films such as Transformers and  Black Adam.  Plus, various versions in popular TV shows like The Simpsons. American Dad  and King of the Hill.

7. "What a Fool Believes" (1979), The Doobie Brothers

The Doobie Brothers were a rather hard-rocking outfit before Michael McDonald joined up in the mid-1970s. The band was in need of an established songwriter, and McDonald delivered. However, with a more mellow, synthesizer/electric piano-driven sound that produced soft-rock gems like this one. Co-written by Kenny Loggins, who put out a version for himself, "What a Fool Believes" hit No. 1 on the Hot 100 in April 1979. Several critics have cited this as the best song in the vast Doobie Brothers catalog. 

6. "Steal Away" (1980), Robbie Dupree

If you're going to be a one-hit wonder, why not make it count? More than 30 years since its release, " Steal Away " can still be heard in elevators and office buildings throughout the United States -- or in the third season of Better Call Saul . Undeniably yacht rock, Dupree, born in Brooklyn, enjoyed success with the song during the summer of 1980 -- always a perfect time to enjoy the smooth, soothing sounds of a piece within this genre that peaked at No. 6 on Billboar d's Hot 100.

5. "Moonlight Feels Right" (1975), Starbuck

Here's a case where middle-aged and baby-boomer music fans probably remember the song but perhaps not the group who performed the track. That's OK. Atlanta's Starbuck is essentially a one-hit wonder thanks to "Moonlight Feels Right," which topped out at No. 3 on Billboard 's Hot 100. For those who remember this track for its lite-flowing beat, with lyrical references to the ocean, "Baltimore," and 'Ole Miss," and band member Bo Wagner marimba   solo, it might take them back to a simpler, more laidback time in their lives.

4. "Heart to Heart" (1982), Kenny Loggins

Perhaps more so than the previously mentioned "This Is It," "Heart to Heart" truly has all the requirements of a great yacht rock/soft rock tune. It was co-written by Michael McDonald, who also played the electric piano and provided backing vocals. David Foster, of Chicago songwriting and '80s ballad fame, also helped compose the tune, which features David Sanborn on saxophone. The track is one of Loggins' best-known hits, cracking the top 20 of the Hot 100.

3. "Lowdown" (1976), Boz Scaggs

Co-written by David Paich and featuring Jeff Porcaro on drums -- both of whom who go on to form the aforementioned Toto. One of Scaggs most well-known hits, "Lowdown"  has a bluesy and almost disco vibe. And a number we can imagine being played at some swanky yacht club party where the dance floor is filled, and more than a few people are sporting captain's hats. The song reached No. 3 on Billboard 's Hot 100 and also topped the Billboard Cash Box chart in the United States.

2. "Key Largo" (1981), Bertie Higgins

Yacht rock and one-hit wonders seem to go hand-in-hand. Higgins scored one in the early 1980s with this number that reached No. 8 on the Billboard Hot 100. The Florida native was inspired to write this song about trying to avoid a romantic breakup by the 1948 movie of the same name, starring Humphrey Bogart   and Lauren Bacall, who are referenced in the tune. Though Higgins never enjoyed the same individual success as a musician, the song has had a solid shelf life and remains a definitive moment in the yacht rock genre.

1. "Sailing" (1979), Christopher Cross

Sure, "Ride Like the Wind" is a gem, but the undisputed star of Cross' aforementioned debut album is the Hot 100-chart-topper "Sailing." It might be the definitive yacht rock song, capturing what Cross described, at the time, the "West Coast sound," which was long being composed, produced and performed, but maybe didn't have an appropriate moniker. The song won Grammys for Record of the Year, Song of the Year, and Arrangement of the Year, and was a big reason Cross earned the same award for Best New Artist.

A Chicago native, Jeff Mezydlo has professionally written about sports, entertainment and pop culture for nearly 30 years. If he could do it again, he'd attend Degrassi Junior High, Ampipe High and Grand Lakes University.

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Yacht or Not?: Sailing the Seas of Yacht Rock

Louis Armstrong said, “If you have to ask what jazz is, you’ll never know.” Duke Ellington said, “There are simply two kinds of music: good music and the other kind.” Christopher Cross said, “If you get caught between the moon and New York City, the best that you can do is fall in love.”

What do these pieces of wisdom add up to? Music, like love, doesn’t follow rules. Musicians as diverse as Armstrong, Ellington and Cross don’t want to be boxed in by genre. They want to write, record and perform and not spend time deciding if they play bebop or hard bop, blues or Southern rock, funk or disco.

But as temperatures heat up and people think of sailing away to find serenity, yacht rock playlists start to float in on the breeze. And that means drawing boundaries with enough latitude that artists don’t object to being boxed in and  still foster playlists with a sense of meaning, a sense of continuity and depth. Peaks and valleys must be smartly balanced against the total annihilation of a common aesthetic. (Yes, despite a fascination with sailing and pina coladas, yacht rock can be taken seriously!)

And so, much to Armstrong’s chagrin, we have to ask, “What is yacht rock?” If it seems obvious, take a look at Spotify’s recent “Yacht Rock” playlist . Spotify is a global streaming leader with some 350 million monthly users, an army of music experts and cutting edge artificial intelligence, and yet the company filled its playlist with songs such as Tears for Fears ’ “Everybody Wants to Rule the World,” Rockwell’s “Somebody’s Watching Me,” Van Morrison ’s “Brown Eyed Girl” and Bruce Hornsby ’s “The Way It Is.”

If somebody wants to create and enjoy a stack of songs that runs from tunes by the J. Geils Band , to the  Police , to Bad Company , to Talking Heads (yup, the company has all these artists on its playlist and even included Ray Parker Jr.’s “Ghostbusters”), they should do that with gusto! It sounds like an evening full of classic jams and fun left turns so cheers to the endeavor. But if a major player in the music business wants to do that and call it yacht rock, we need to take a step back and consider what is and isn’t yacht.

We know breezes, islands, keys, capes, cool nights, crazy love and reminiscing help define the yacht aesthetic (see works by Seals & Crofts , Jay Fergeson, Bertie Higgins, Rupert Holmes, Paul Davis, Poco , and Little River Band ). But let’s get beyond the captain’s caps and map the waters of this perfect-for-summer style.

Watch Bertie Higgins' Video for 'Key Largo' 

Yacht Rock Sets Sail With Help From a 2005 Web Series

Before 2005, people generally placed Toto ’s “ Africa ” and Holmes’ “Escape (The Pina Colada Song)” in the soft rock genre. Maybe if they were getting fancy, they’d call them AM Gold. But in 2005, the online video series Yacht Rock debuted. It fictionalized the careers of soft rock artists of the late ’70s and early ’80s. The cheeky show capitalized on the building renaissance of artists such as Steely Dan and Michael McDonald , who embraced the silliness of the series.

“When it came on I remember watching it pretty avidly,” McDonald admitted in 2018 . “My kids got a huge kick out of it. We would laugh about the characterizations of the people involved. At this point it’s a genre of its own. You’re either yacht or you're not.”

He might be right that you’re either yacht or you’re not. But calling it a genre doesn’t quite work (more on that in a minute).

Listen to the Doobie Brothers' 'Minute By Minute'

Riding the Waters From the Radical ’60s to the Sincere ’70s

By the late ’60s, rock ‘n’ roll had become “art.” The Beatles started as simple teen heartthrobs covering early rock ‘n’ roll, but graduated to the supreme weirdness of the  White Album . Chuck Berry gave birth to the Rolling Stones who gave birth to Led Zeppelin and the gonzo bombast of “Babe I’m Gonna Leave You.” And all sorts of acts went wild from the Grateful Dead , to Pink Floyd , to Frank Zappa  and beyond. The sunshine of ’70s AM Gold came as a reaction to these wonderful excesses. Singer-songwriters aimed to take rock and pop back to the simple pleasures of tight, light tunes such as Beach Boys ’ classics, Motown hits and Brill Building-crafted songs.

Hippies looking for revolution and Gen X-ers on the hunt for rage, irony and sharp edges bristled at the genuine lyrics of tenderness and heartbreak neatly packaged in finely-crafted Top 40. Where the stars and fans of '60s and ’90s rock wanted arty and experimental music, anger and angst, yacht took listeners on a voyage powered by pure earnestness: think of the sincere and intense conviction of Dave Mason’s “We Just Disagree,” Captain & Tennille's "Love Will Keep Us Together," and “Love is the Answer” by England Dan & John Ford Coley.

(Which is why placing the Police or Talking Heads on any yacht mix doesn’t work.)

Yacht rock embodies the final charge of unbridled, heartfelt pop.

“I think these songs remain so popular because they are unabashedly pop,” Nicholas Niespodziani, leader of the hugely successful tribute band  Yacht Rock Revue , explains to UCR. “They’re not self conscious. You couldn’t write a song like ‘Africa’ now. What are they even singing about? Who knows? But it’s fun to sing.”

Watch Captain & Tennille's Video for 'Love Will Keep Us Together'

Music That’s Jazzy, But Sure Isn’t Jazz

Yacht rock doesn’t just have an earnestness to its lyrics, the sax solos come with the same level of sincerity.

If the style was the last gasp of unadulterated pop, it was also the dying breath of jazz’s influence on rock. Jazz rock started in the ’60s with Zappa, Chicago , Santana and Blood, Sweat & Tears , but slowly simple drums and growling guitars stomped horn lines and rhythmic shifts into the ground. However, yacht rock features echoes of swingin’ saxophones, big band horns and Miles Davis ’ fusion projects.

Yacht rock is very pop, but legitimate musical talents made those hooks. Chuck Mangione logged time in jazz giant Art Blakey’s band then took what he learned and crushed complex harmonic ideas into the pop nugget “Feels So Good,” which is basically a Latin-bebop-disco-classical suite. (If you dig “Feels So Good,” dig deeper and groove to smooth jazz mini-symphony “Give It All You Got.”)

Nearly every classic from the style features either an epic sax solo or dazzling guitar part. For horn glory, go spin Little River Band’s “Reminiscing,” Gino Vannelli’s “I Just Wanna Stop” or Grover Washington Jr. and Bill Withers ’ “Just the Two of Us." For six-string wizardry as astounding as anything Jimmy Page came up with (and much more economical), try Atlantic Rhythm Section’s “So Into You,” Pablo Cruise’s “Love Will Find a Way” and pretty much every Steely Dan cut.

(Which is why placing Tears for Fears’ “ Everybody Wants to Rule the World ” and Rockwell’s “Somebody’s Watching Me” on any yacht mix doesn’t work).

Watch the Little River Band's Video for 'Reminiscing' 

A Vibe, Not a Genre or Gender or Demographic of Any Kind

Being a style, a feeling, an aesthetic, a vibe means that yacht rock can pull a song from a wide variety of genres into its orbit. It also means that it’s not just a catalog of hits from bearded white dudes. Yes, Kenny Loggins , McDonald and both Seals and Crofts helped define yacht rock. But quintessential songs from the style came from the women and artists of color, soul singers, folk heroes and Nashville aces.

For every Loggins' tune in a captain’s hat, there’s a Carly Simon track dressed up as your cruise director. Yes, there's Steely Dan's jazz influence, but also  Crosby, Stills & Nash 's folk legacy (“Southern Cross” remains definitively of the style). Yacht rock playlists should also be littered with appropriate R&B gems, such as the Raydio’s “You Can’t Change That” (which features Ray Parker Jr.!), Hall & Oates ’ “Sara Smile” and Kool & the Gang’s “Too Hot.” Likewise, country acts of the era tried to go Top 40 while attempting to retain some twang and managed to make Love Boat music (see Juice Newton’s “Angel of the Morning,” Eddie Rabbit’s “I Love a Rainy Night,” Dolly Parton & Kenny Rogers ’ “Islands in the Stream”).

It’s hard to tell if the Commodores’ “Sail On” is pop or R&B, harder still to know if George Benson’s “Give Me the Night” is pop, R&B or jazz. But they both feel yacht.

(Which is why Santana can do psychedelic Latin music and can do yacht on “Hold On,” and why the Pointer Sisters can do new wave disco with “Neutron Dance” and yacht with “Slow Hand.")

Wishing You a Bon Voyage on the Seas of Yacht

Spotify was right to think about diversity when making its playlist, though the company got the type of diversity wrong. Yacht has some pretty specific sonic parameters, but has no demographic restrictions when it comes to the kind of artists contributing to the style’s catalog. That means when you hit the high seas of yacht, you don’t need to be afraid to fight for your favorites to be included, just please don’t have one of those favorites be “Ghostbusters.”

We began talking about drawing boundaries with enough latitude that artists don’t object to being boxed in. The wide latitude yacht rock affords matters because music comes to define eras and outlines cultural trends (remember that yacht came in reaction to art rock and that says a lot about the swing from the late '60s to the early '80s). Calling Christopher Cross soft rock might feel right, but it doesn't tell us much about where he was coming from and what he was trying to accomplish. Calling Cross yacht rock, now that we know it's not a pejorative, illuminates his aesthetic.

Cross came out of the Texas rock scene that produced blues aces the Vaughan Brothers and guitar shredder Eric Johnson (who plays on a lot of his albums). He loves Joni Mitchell and that shows in his craft. He's jazzy but not jazz (see those horns and guitar on "Ride Like the Wind") with a vibe that's completely yacht -- developed from the scene that took '60s pop, updated it and sheltered it from the trends of punk, metal, new wave and hip hop. The same can be said for Loggins, McDonald, Simon, Lionel Ritchie and so many others.

Spotify needs to tweak its algorithm so it gets this right. Or, better yet, connect with the genre-crossing vibe that makes yacht so unique.

Top 100 Classic Rock Artists

More from ultimate classic rock.

10 of the Best Yacht Rock Songs of All Time

Yacht Rock, a 1970s and 1980s-era subgenre has recently experienced a boom in popularity. Its distinctive fusion of jazz, R&B, and soft rock components has enthralled audiences and created a new fan base. Yacht Rock has evolved into the go-to music for individuals looking to unwind and escape from the rigors of daily life because of its calming melodies, layered harmonies, and catchy hooks.

In this article, we’ll examine in more detail ten of the best Yacht Rock songs that have become timeless favorites. These songs, which range from the comforting melodies of The Doobie Brothers’ “What a Fool Believes” to the memorable hooks of Toto’s “Africa,” have withstood the test of time and continue to enthrall listeners. We’ll discuss what makes these songs unique and ideal for those long days spent on the lake or leisurely evenings on the patio, whether you’re a lifelong admirer of the genre or new to it. Take a drink, relax, and join me as we embark on a musical tour of the best Yacht Rock has to offer.

10 of the Best Yacht Rock Songs

1. “sailing” by christopher cross.

An undeniable Yacht Rock classic, “Sailing” won Christopher Cross the Grammy for Record of the Year in 1981. The song’s dreamy lyrics and soothing melody perfectly encapsulate the feeling of being at one with the water. It is the ideal soundtrack for an afternoon spent sailing or simply enjoying the ocean breeze. With its gentle instrumentation and Cross’s calming vocals, “Sailing” transports listeners to a peaceful, sun-drenched world where worries and stress drift away.

2. “What a Fool Believes” by the Doobie Brothers

Written by Michael McDonald and Kenny Loggins, “What a Fool Believes” showcases The Doobie Brothers’ signature sound with smooth, soulful vocals and intricate keyboard work. Released in 1979, this Grammy-winning song topped the charts and remained a fan favorite for its catchy melody and relatable lyrics about unrequited love. With its polished production and infectious energy, “What a Fool Believes” remains a Yacht Rock staple that continues to captivate audiences.

3. “Love Will Keep Us Together” by Captain & Tennille

Captain & Tennille’s 1975 hit “Love Will Keep Us Together” is a quintessential Yacht Rock ballad celebrating love’s power. The song’s upbeat tempo, irresistible hook, and Daryl Dragon’s masterful keyboard playing make it a timeless classic that resonates with listeners today. It’s difficult not to get carried away by this uplifting hymn to love and dedication as Toni Tennille’s sincere vocals flawlessly meld with the song’s infectious tune.

4. “Steal Away” by Robbie Dupree

A prime example of Yacht Rock’s laid-back vibe is “Steal Away” by Robbie Dupree, a smooth and sultry hit that made waves in 1980. The song paints a picture of a spontaneous, romantic escapade with its memorable chorus, funky groove, and Dupree’s soulful vocals. From its breezy synths to its driving beat, “Steal Away” encapsulates the carefree spirit of Yacht Rock, making it a must-listen for fans of the genre.

5. “Africa” by Toto

“ Africa ” by Toto, released in 1982, is a beloved Yacht Rock anthem that has stood the test of time. The song’s unforgettable melody, lush harmonies, and captivating storytelling have made it a favorite for listeners worldwide. With its vivid lyrics and soaring chorus, “Africa” transports listeners to a vast, uncharted landscape of adventure and romance. Its distinctive blend of rock and world music elements makes this track an enduring classic.

6. “Peg” by Steely Dan

Jazzy and sophisticated, “Peg” by Steely Dan showcases the band’s trademark fusion of rock, pop, and jazz. Released in 1977, the song’s infectious groove, polished production, and impeccable musicianship have made it a Yacht Rock staple. Featuring Michael McDonald on backing vocals, “Peg” is a prime example of Steely Dan’s knack for creating intricate yet accessible music. With its bright horns, unforgettable guitar riff, and smooth harmonies, “Peg” has earned its place among the Yacht Rock elite.

7. “Baby Come Back” by Player

“Baby Come Back” by Player is a quintessential Yacht Rock ballad that tugs at the heartstrings with poignant lyrics about lost love. The 1977 song’s deep melody, memorable chorus, and longing vocals have made it a timeless classic that appeals to listeners even now. As the song builds to its unforgettable climax, “Baby Come Back” reminds us of the power of love and the enduring appeal of Yacht Rock’s smooth sound.

8. “I Can’t Go for That (No Can Do)” by Hall & Oates

A sultry, funk-infused hit, “I Can’t Go for That (No Can Do)” by Hall & Oates, showcases the duo’s signature blend of pop and soul. Released in 1981, the song’s irresistible groove, catchy hook, and Daryl Hall’s smooth vocals have made it a fan favorite. With its irresistible beat and effortlessly cool vibe, “I Can’t Go for That (No Can Do)” is a standout track in the Yacht Rock genre that still gets people moving on the dance floor.

9. “Hey Nineteen” by Steely Dan

Another Yacht Rock classic from Steely Dan, “Hey Nineteen,” is a smooth, laid-back tune that perfectly captures the band’s signature sound. The 1980 song’s catchy melody, clever lyrics, and easygoing groove have made it a favorite among listeners.

“Hey Nineteen” is a classic example of Steely Dan’s ability to create timeless music that transcends fads and is still relevant today thanks to its unusual fusion of jazz, pop, and rock components.

10. “Biggest Part of Me” by Ambrosia

Rounding out our list is “Biggest Part of Me” by Ambrosia, a 1980 hit that showcases the band’s trademark blend of soulful vocals, lush harmonies, and smooth instrumentation. With its heartfelt lyrics, soaring chorus, and polished production, the song has become a Yacht Rock classic that still resonates with listeners. As the song builds to its emotional crescendo, “Biggest Part of Me” is a fitting tribute to the enduring appeal of Yacht Rock’s smooth sound.

From sun-soaked afternoons on the water to romantic evenings under the stars, Yacht Rock’s timeless tunes uniquely transport listeners to a world of relaxation and nostalgia. These ten Yacht Rock songs, with their smooth melodies, soulful vocals, and catchy hooks, serve as a testament to the enduring appeal of this beloved subgenre. As more and more people discover the magic of Yacht Rock, its classic tracks continue to sail into the hearts of new fans, proving that this smooth sound is here to stay.

Jason Butler

Jason Butler is the owner of My Money Chronicles, a website where he discusses personal finance, side hustles, travel, and more. Jason is from Atlanta, Georgia. He graduated from Savannah State University with his BA in Marketing. Jason has been featured in Forbes, Discover, and Investopedia.

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• Best Yacht Rock Songs to Play on Your Boat

Whether sailing the high seas or cruising on a tranquil lake, there’s no denying the magical combination of boating and music. And nothing quite fits the bill like yacht rock songs when it comes to creating the perfect ambiance for your boat party. With their smooth melodies and laid-back vibes, yacht rock tunes are the ideal soundtrack to accompany your nautical adventures. 

Curate the ultimate playlist for your next boat party with these suggestions so you can set sail with style and groove to the sounds of the sea.

What Is Yacht Rock and Why Is It Perfect for Boating?

Yacht Rock emerged in the late ’70s and early ‘80s , epitomizing the era’s smooth, soft rock music. Characterized by its polished production, jazz-influenced arrangements and evocative lyrics, yacht rock often features leisure, escapism and coastal lifestyle themes. These songs would be played aboard luxury yachts, capturing the essence of sunny days, ocean breezes and carefree adventures on the water.

Yacht rock songs for boats’ relaxed yet sophisticated nature make it a perfect complement to any boating experience. As the boat glides through the water, the soothing rhythms of the best lake songs create an atmosphere of tranquility and joy, taking your boat party to a new level of enjoyment.

Crafting the Perfect Boating Playlist

To create the ultimate summer boating songs playlist, we considered various factors contributing to the perfect sailing ambiance. The selected songs boast uplifting beats, catchy melodies and lyrics that evoke images of boats, sailing and the sea. Moreover, we’ve included diverse songs to cater to different musical tastes.

Best Boat Songs of All-Time

With so many options out there, we’re excited to share our top songs about boats and sailing and the best songs to listen to on a boat. 

• “Sailing” by Christopher Cross: With its gentle guitar strums and Christopher Cross’s velvety vocals, “Sailing” is an anthem for seafarers. The song’s serene melody and poetic lyrics encapsulate the feeling of being on the open water, making it a must-have for your boat party playlist. As you cruise along, “Sailing” will have everyone swaying to the rhythm, embracing the true spirit of yacht rock.
• “Escape (The Piña Colada Song)” by Rupert Holmes: A yacht rock classic, “Escape” brings a touch of whimsy to your boat party. This catchy tale of love and adventure pairs perfectly with the carefree ambiance of boating. The song’s playful vibe and sing-along chorus will have your guests joining in the fun, creating unforgettable memories on the water.
• “Brandy (You’re a Fine Girl)” by Looking Glass: “Brandy” is a timeless yacht rock gem that narrates the tale of a sailor’s love for a barmaid. Its upbeat tempo and memorable hooks make it an essential addition to your boat party playlist. As you listen to the story unfold, you’ll be transported to coastal taverns and endless maritime horizons.
• “Yacht Rock” by JD & The Straight Shot: The eponymous “Yacht Rock” is a modern tribute to the genre. With smooth instrumentals and polished vocals, this song embodies the very essence of summer boating songs. As you sail into the sunset, “Yacht Rock” will warmly embrace you, ensuring a truly unforgettable boat party experience.

• “Sail On” by Commodores: Smooth and soulful, “Sail On” by the Commodores is a yacht rock favorite that perfectly captures the essence of sailing. The mesmerizing vocals of Lionel Richie and the mellow instrumentation make it a sublime addition to your boat party playlist. As you sail into the horizon, “Sail On” will evoke feelings of serenity and nostalgia.
• “Southern Cross” by Crosby, Stills & Nash: “Southern Cross” is a yacht rock sensation that vividly depicts a sailor’s journey and longing for adventure. With its dreamy harmonies and evocative lyrics, this song embodies the wanderlust spirit of boating. As you navigate the waters, “Southern Cross” will ignite a sense of exploration and freedom.
• “Key Largo” by Bertie Higgins: Set the perfect mood for your boat party with “Key Largo” by Bertie Higgins. This romantic ballad takes inspiration from the beautiful Florida island, offering a gentle and relaxing vibe. As you anchor in tranquil waters, “Key Largo” will fill the air with enchanting melodies, creating a magical experience on your boat.
• “Into the Night” by Benny Mardones: “Into the Night” is a yacht rock classic that weaves a tale of passion and romance under the moonlight. With its soulful vocals and captivating melody, this song is perfect for setting a dreamy and intimate atmosphere at your boat party. As the stars twinkle above, “Into the Night” will take you on a magical journey through the night skies.
• “Reminiscing” by Little River Band: As the sun sets on your boat party, let the nostalgic vibes of “Reminiscing” fill the air. This boating playlist gem has smooth harmonies and a gentle rhythm that will transport you back to cherished memories and create an ambiance of camaraderie and friendship. It’s the perfect tune to share stories and laughter with your guests.
• “Moonlight Feels Right” by Starbuck: “Moonlight Feels Right” is a funky and fun yacht rock song that will have everyone dancing on deck. With its catchy marimba riffs and chorus, this tune infuses your boat party with playful energy and excitement. So, let loose and dance under the moonlit sky as “Moonlight Feels Right” fills the night with joy.

Honorable Mentions

Whether you use them to create a more extensive playlist or keep them on standby for future voyages, these yacht rock gems will elevate your boat party’s ambiance. Let the melodies of these honorable mentions serenade you as you create unforgettable memories on your nautical journey. Here are our best boat party songs: 

• “Dance with Me” by Orleans: A captivating blend of folk and yacht rock, “Dance with Me” offers a smooth and romantic melody that sets the perfect tone for a slow dance on deck. This timeless classic will create a memorable moment for you and your guests as you sway together beneath the stars.
• “Cool Change” by Little River Band: “Cool Change” is an introspective Yacht Rock anthem that captures the essence of tranquility and self-discovery. Its calming rhythm and soul-stirring lyrics make it an excellent addition to your boat party playlist, especially during introspection on the open waters.
• “Steal Away” by Robbie Dupree: The captivating vocals and soft rock style of “Steal Away” make it a must-have on your Yacht Rock boat party playlist. This tune exudes a sense of freedom and adventure, making it the perfect companion as you explore new horizons on your boat journey.
• “On and On” by Stephen Bishop: Stephen Bishop’s soothing voice and the mellow instrumentation of “On and On” create an atmosphere of pure relaxation. As you glide across the water, this yacht rock classic will add a touch of serenity to your boat party experience.

As you set sail on your boat party adventure, let the smooth melodies of yacht rock be your trusted companions. The carefully curated playlist will transport you and your guests to a world of blissful boating, where the worries of the shore are left behind. Grab your sunglasses, feel the wind in your hair and embark on a memorable journey with the ultimate yacht rock playlist for your boat party.

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The 10 Best Yacht Rock Albums To Own On Vinyl

Climb aboard for the smoothest records you'll ever own.

In 2006, a group of buddies produced a series of short videos called “Yacht Rock.” The videos defined yacht rock as a genre of smooth music, born out of Southern California between 1976 and 1984, and featuring exceptional musicianship with roots in R&B, jazz and folk rock. Its stars: Michael McDonald, Kenny Loggins, Toto and Steely Dan.

The last 11 years have tested the genre’s buoyancy. Since 2006, yacht rock has been co-opted by Big Radio, whose yacht playlists include flimsy AM gold like Bertie Higgins and California corporate rock like the Eagles. Luckily the originators of the term, through their podcast Beyond Yacht Rock, have helped to set the parameters of the genre.

Good yacht rock is frequently credited to many of the same names: established players like multi-instrumentalist Jay Graydon, producer David Foster, percussionist Victor Feldman, and hard-working-studio-band-turned-80s-superstars Toto. And it’s heavier on R&B and jazz than folk rock, incorporating the work of Quincy Jones, Michael Jackson and others.

With that, here are the 10 best yacht rock albums to start your collection - or, shall I say, to christen your vessel.

Shop Till You Drop

Record reviews.

Toto: Toto IV (1982, Columbia)

The album that shot Toto into superstardom is a perfect primer for the yacht rock sound. “Rosanna,” with drummer Jeff Porcaro’s iconic shuffle technique, makes multiple left turns, a crucial component of most yacht songs. You’ll know this album for “Rosanna” and No. 1 smash “Africa,” but the slow groove of “Waiting For Your Love” shows the band’s ability to dip into soul and R&B, a trait that helped them on cuts like “Human Nature” and “The Lady in My Life” off another yacht rock album, Michael Jackson’s Thriller. Toto could also bring the heat with mid-tempo stunners like “Make Believe” and “Good For You.” A deep listen of Toto IV reveals a group of professionals rarely wasting notes.

Boz Scaggs: Silk Degrees (1976, CBS)

If yacht rock is a marriage of jazz, R&B and singer-songwriter folk rock, Boz Scaggs’ breakout Silk Degrees is one of the earliest attempts at matrimony. Boz employed David Paich, David Hungate and Jeff and Joe Porcaro for the album, and their work here would set a template for the Toto sound (combine “Lowdown” and “Lido Shuffle” and you get something near “Rosanna”). There’s a few too many strings here, Boz gets a little too lyrical (Yacht Rock isn’t necessarily a lyricist’s genre) and the bass is so up front that it can feel like disco. But if you want to know the roots of yacht rock, Silk Degrees is a good choice.

Michael McDonald: If That’s What it Takes (1982, Warner Bros.)

Two crucial instruments in yacht rock: the Fender Rhodes keyboard and McDonald’s husky, blue-eyed soul tenor. If That’s What it Takes, McDonald’s solo debut after leaving the Doobie Brothers, has plenty of both. “I Keep Forgettin’ (Every Time You’re Near)” is essential yacht, a chill-out anthem featuring half of Toto, who also appear on the ballad “That’s Why” and slightly discofied “No Such Luck.” McDonald’s buddy Loggins co-writes “I Gotta Try,” one of many yacht anthems about fools looking to change their luck. And make no mistake: McDonald is the poster boy for fools constantly searching for small victories.

Kenny Loggins: High Adventure (1982, Columbia)

Loggins isn’t always yacht rock. Sometimes, like on High Adventure, he’s far too tender (“The More We Try”) or he’s far too heavy (“Swear Your Love”). But there’s a lot of yacht rock range on this enormously fun album, from the Latin-tinged “Heartlight” to the gritty “If It’s Not What You’re Looking For.” Then there’s Loggins’ version of “I Gotta Try” and, finally, a quintessential yacht rock hit, “Heart to Heart.” Loggins is a little lighter and slightly more soulful on his 1979 album Keep the Fire, which includes the stunning “This Is It.” He’s certainly an essential artist in the yacht canon, but always step lightly with Loggins. The guy is a chameleon.

Dane Donohue: Dane Donohue (1978, Columbia)

There are countless yacht rock albums either lost in bargain bins or available only as imports, from the 1980 self-titled album by Airplay (listen to the quintessential “Nothin’ You Can Do About It”) to 1978’s Blue Virgin Isles by Swedish singer Ted Gardestad. Dane Donohue’s 1978 self-titled debut is another, featuring Graydon, Feldman, members of Toto and Los Angeles studio professionals like Larry Carlton, Jai Winding and Steve Gadd. “Can’t Be Seen” has a distinct yacht sound, as does the crisp “Woman,” which features backing vocals from J.D. Souther and Stevie Nicks. You’ll tell quickly that Donohue is a third-rate vocal talent for the genre (McDonald or, say, Al Jarreau would elevate these tracks), but the point is the smooth, polished sound. Yacht rock is a player’s genre.

Steely Dan: Aja (1978, ABC)

Steely Dan’s importance to yacht rock can’t be overstated. They introduced the world to McDonald (“Any World [That I’m Welcome To]” off Katy Lied ) and curated an inner circle of studio professionals versed in jazz, R&B and soul, who would later perfect the yacht sound. Arguably the Dan is smoothest on the 1980 smash Gaucho , but Aja finds Walter Becker and Donald Fagen comfortably hitting a middle-ground stride. You’ve probably heard much of the album already, from the slithering journey of “Deacon Blues” to the percolating “Peg,” but what’s amazing about Aja is its ability to position Steely Dan as a mainstream hit factory while remaining expansive and adventurous (the title track, “I Got the News”).

Patti Austin: Every Home Should Have One (1981, Qwest)

Yacht rock is popularly considered a white man’s genre, but its roots are in the R&B and jazz that manifest itself as yacht soul on outstanding albums like Austin’s Every Home Should Have One. Examples? “Do You Love Me?” sounds awfully like Loggins’ “I Gotta Try.” And one could imagine McDonald singing “The Way I Feel.” “Love Me to Death” could have been a Michael Jackson outtake, or it’s just a rewrite of “Off the Wall.” The album’s high point is the slow burn “Baby, Come to Me,” which includes James Ingram’s smooth delivery, plus Toto’s Lukather on guitar and Foster on synthesizer. Check George Benson’s Give Me the Night and the Pointer Sisters’ Special Things for more examples of yacht soul.

Al Jarreau: Breakin’ Away (1981, Warner Bros.)

If there’s an album that showcases the yacht rock sound at its cleanest, Breakin’ Away may take the trophy. All of the pertinent studio personnel is on the album, from Toto to Graydon - who’s on as producer - laying down an adventurous, crisp template for Jarreau ( R.I.P .) to deliver his sharp, joyous tenor, complete with plenty of scatting. “We’re In This Love Together” and the title track (with Earth, Wind & Fire horns, a Graydon specialty) are mid-tempo yacht rock beauties. Elsewhere Jarreau experiments with jazzier flavors, but the musicianship is still top-notch. Check out Jarreau’s Jarreau from 1982 as another prime yacht rock attempt; both are albums you’ll want to spin on a bright summer morning.

Pages: Pages (1981, Capitol)

Before Richard Page and Steve George formed half of mid-1980s MTV stars Mr. Mister, their buttery voices were integral components of the yacht rock sound, contributing backing vocals on countless tracks. Their 1981 self-titled release (they also released a self-titled album in 1978 that’s more funkified) is pure yacht. Graydon produced half of the album, and Jeff Porcaro shows up frequently behind the kit. The flip-side of the album is more adventurous, but side A is pound-for-pound the best example of the genre you’ll find on vinyl, and one of the best finds of the sound (Pages’ previous Future Street is a little more proggy but still a treat). Seize Pages and you’ll soon find yourself on some roof deck singing along with Page and George.

Christopher Cross: Christopher Cross (1979, Warner Bros.)

Critics may scoff at Cross’ self-titled debut, a massive success that won five Grammys and scored four top-20 hits, but the album is impeccably performed and produced. Nearly everyone involved on the album is a yacht rock mainstay, from producer Michael Omartian down to the usual suspects, Graydon, Feldman and McDonald, who contributes those iconic backing vocals in “Ride Like the Wind.” “Never Be the Same” and “Say You’ll Be Mine” are both solid mid-tempo hits for the era. And then there’s “Sailing.” It’s actually a sonic outlier for the yacht rock genre, heavy on acoustic guitar and strings. But its message fits the genre (a fool searching for inner peace), and yeah, it’s still undeniably smooth.

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Timothy Malcolm can be found in a variety of publications across the New York metropolitan area. His writing can also be found there. He enjoys guessing No. 1 hits of the 1980s, visiting breweries, trying any beverage once, watching baseball and hiking for long distances across the Hudson Valley and Catskills of New York.

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The Best Musicians from NYC: A Melodic Legacy

I n the heart of the world's most bustling metropolis lies the pulsating heartbeat of music that has echoed across generations. With its rich cultural tapestry, New York City has been a cradle for many of the music world's brightest stars. From the sultry tunes of jazz to the rawness of punk and the revolutionary beats of hip-hop, the city's streets have danced to the rhythm of legends. Let's journey through the echoing alleys of NYC's history, unveiling the top 10 musicians who've left an indelible mark on the world.

List of Top 10 Best Musicians From NYC

Frank sinatra.

The 'Voice' of America, Sinatra's legacy is intertwined with the glamour and glitz of New York's nightlife. With classics like " New York, New York ," he serenaded the city and captured its essence, establishing himself as an eternal legend.

John Lennon

Beyond the shimmering fame of The Beatles, Lennon found solace and inspiration in NYC. His music, a reflection of the city's vibrancy, touched on themes of love, peace, and activism, leaving a lasting impact that still resonates today.

David Bowie

Bowie, the ever-evolving artist, drew inspiration from NYC's dynamic arts scene. With albums that became soundtracks to countless lives, his chameleonic journey mirrored the city's transformation over the years.

Miles Davis

With his trumpet in hand, Davis painted the town with jazz hues, pioneering multiple genres. NYC's jazz clubs became his canvas, where his genius flowed seamlessly, influencing countless artists who followed.

Billie Holiday

Lady Day's haunting voice chronicled tales of love, despair, and resistance. She made her time in Harlem's jazz joints synonymous with NYC's golden age of jazz, encapsulating the city's soul.

The troubadour of his generation, Dylan's poetic lyrics spoke of social change and introspection. Greenwich Village's coffeehouses were the backdrop for his early career, where he spun tales that echoed the spirit of the times.

Bruce Springsteen

With anthems that resonate with the working class, 'The Boss' encapsulated many's dreams, struggles, and aspirations. Although deeply personal, his narratives have a universal appeal that transcends borders.

The Queen of Pop, Madonna's journey from the Midwest to the towering skyscrapers of NYC is a testament to the city's allure. Continuously reinventing herself, she epitomizes the city's ever-evolving nature.

From the streets of Brooklyn to the pinnacle of global hip-hop, Jay-Z's journey mirrors the dream of many New Yorkers. His lyrical prowess and astute business ventures make him an emblem of NYC's tenacity and ambition.

A modern icon, Gaga's avant-garde style and captivating performances reflect NYC's eclectic charm. Born and bred in the city, she's a testament to its ceaseless energy and innovation.

Final Thoughts

With its glittering skyline and restless energy, New York City has been a home and a muse to these luminous talents. Their stories, interwoven with the city's fabric, are a testament to NYC's enduring role as a global epicenter of music and creativity. Through their legacy, we are reminded of the magic that ensues when ambition meets opportunity in the city that never sleeps.

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The 10 Most-Exciting Yacht Debuts at the Palm Beach International Boat Show

Besides the debut of smaller vessels, more than 60 yachts over 100 feet will be at palm beach this week. it promises to be a banner event., howard walker, howard walker's most recent stories.

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For superyacht shoppers, the Palm Beach International Boat Show, kicking off its four-day run this week, is set to break records with more than 60 yachts over 100 feet long on display. Last year was also a banner year for superyachts at the show. 

Headliners will include the likes of the 295-foot Corsair Nero ,  the 278-foot Victorious by AKYacht, the 230-foot Turquoise-built Talisman C , and 213-foot Benetti Triumph among brokerage yachts, and in new yachts, the 113-foot Ocean Alexander Puro 35 is making its world debut.  

There are so many gleaming white vessels over 100 feet, in fact, that the fleet will be split between the Palm Harbor Marina at the main show site on the downtown West Palm Beach waterfront and the Safe Harbor Rybovich Marina two miles north. 

Now in its 42nd year, PBIBS will also showcase hundreds of models of dayboats, cruisers, and fishing boats, as well as marine accessories. Running from this Thursday through Sunday, the show coincides with the Palm Beach Modern + Contemporary art show, a fortuitous opportunity for yacht owners wanting to add new art to their collections.

Here are 10 must-see boats at this year’s show.

Corsair Yachts ‘Nero’

The undisputed star of this year’s Palm Beach show? That would be the 295-foot, classically styled superyacht Nero , built in 2007 and inspired by American financier J.P. Morgan’s legendary 1930s steamer Corsair IV . Nero ‘s attendance at PBIBS marks its return to the charter market after an extensive refit in 2021. Now better than new, the boat is being managed by Burgess. With weekly charter rates from $497,000, the vessel offers five-star accommodations for 12 guests in six cabins, with pampering from a crew of 20. Part of the refit included a full interior refresh by Italian interior designer Laura Pomponi, plus a major focus on wellness. That meant the construction of a new, state-of-the-art gym and spa, the assistance of a certified onboard trainer, a masseuse and beautician. After PBIBS, Nero will spend the winter in the Caribbean before returning to the Med for the summer season.

Ocean Alexander Puro 35P

Ocean Alexander is debuting the first of its new Puro superyacht series at PBIBS. The 113-foot Puro 35P comes from the drawing board of Italian designer Giorgio M. Cassetta and is a step back from the polarizing lines of OA’s recent Revolution and Explorer series with their bold, vertical bow designs. Aimed at long-distance cruising, the 35P can carry over 5,000 gallons of fuel and is powered by twin 2,000 hp MAN V12s for a 24-knot top speed. Twin 55kW Kohler generators can also keep the yacht powered at anchor for long periods. Other standout features include extensive glazing in the chiseled fiberglass hull, a forward deck plunge pool, and spacious accommodations for 10 guests. 

Think of it as the “starter” Sirena. Aimed at a younger demographic, the Turkish builder’s brand-new Sirena 48 is making its U.S. debut at PBIBS after a global reveal at last fall’s Cannes boat show. Such is its appeal that 27 hulls have already been sold, with 13 of the orders coming from North America. Looking like a scaled-down version of Sirena’s popular 58, its distinctive, trawler-style lines are from Argentinian designer Germán Frers. With more interior space than a typical 48-footer, the yacht offers three staterooms—plus a crew cabin—a spacious, light-filled salon, a large cockpit, an oversized flybridge, and a vast forward social area. Take your pick from twin 550 hp Cummins QSB, or 670 hp Volvo D11 turbo diesels. Or the builder is also offering hybrid power with twin 285 hp electric motors charged up by variable-speed generators that are good for a 30-mile battery-only range.

Feadship ‘Olympus’

Picture purchasing a classic 180-foot Feadship superyacht, and then getting a $10 million bill for a major refit. That was the case with Olympus , built by the Dutch masters at Feadship in 1996 to a design by Britain’s Andrew Winch and the celebrated naval architect Frits De Voogt. Sold in 2022, the new owner sent it to the Monaco Marine refit center in La Ciotat, France for a major makeover. It included overhauling the 2,600 hp Caterpillar engines and generators, repairs to the structure, substantial upgrades to the guest areas and crew quarters, and new paint throughout. With the work completed just last year, the vessel is said to be in mint condition. Offered jointly by brokers Fraser and Edmiston, Olympus has an asking price of $28.5 million. With accommodations for 16 guests in eight cabins, the boat’s highlights include two primary suites, tropical-spec air conditioning, and Palm Beach-chic decor.

Benetti ‘Triumph’

Italian yachting powerhouse Benetti is showing off its superyacht-building skills with the 213-foot Triumph . Delivered in 2021, this Giorgio M. Cassetta-designed steel-and-aluminum world girder features six decks, a 1,400-square-foot primary suite with outdoor terrace and adjoining lounge, a 750-square-foot beach club, and a touch-and-go helipad. What sets Triumph apart, however, is its lavish interior furnishings put together by the owner along with Benetti Interior Style and Monaco-based Green & Mingarelli Design. It includes pieces by French glassmaker Lalique, marble from Marfil, Statuario and Armani, furs, silk and wool carpets, plus a collection of cool black-and-white wildlife photographs by British fine art photographer David Yarrow. The pièce de résistance? That would be the owner’s Triumph Bonneville motorcycle displayed in the salon.

Fjord 39 XP/XL

Germany’s Fjord Yachts, part of the Hanse Group, has a new 39-foot day boat that it’s unveiling at the Palm Beach show. The 39 XP and XL keep all the bold design cues of the bigger Fjord 41 XP and XL, like a big, open cockpit, walkaround center console, vertical bow, mile-high windshield and stretched hardtop. As for the differences between the XP and XL, it’s all about power. The XL comes with a choice of twin 320hp Volvo D4 diesels, or bigger 440 hp D6 versions, both with Volvo stern drives. Likely more appealing to U.S. buyers will be the XP powered by twin 400 hp Mercury Verado V10 outboards giving a 50-knot top speed. Pricing starts at around $500,000.

Turquoise ‘Talisman C’

Chandeliers don’t come more dramatic than this. Cascading down the central spiral staircase of the Turkish-built, 231-foot superyacht Talisman C , this jaw-dropping piece of art comprises an array of multi-colored glass balls threaded on stainless-steel rods and illuminated by hanging fiber-optic strands. It’s the creation of Prague-based Crystal Caviar and is one of a number of glass installations on this sleek, low-profile superyacht. Built in 2011 by the Proteksan Turquoise shipyard, Talisman C was designed inside and out by London-based studio H2 Yacht Design, with naval architecture by Italy’s Hydro Tec. With cabins for 12 guests, one of its highlights is a huge primary suite, which boasts more crystal chandeliers and a private library. Twin 2,447 hp Caterpillar diesels give a top speed of 18 knots and a transatlantic range of 7,000 nautical miles at 12 knots. It’s listed with Burgess for $59.9 million. 

Sanlorenzo 44 ‘Kamakasa’

Delivered in 2020 and sold to a new buyer just last August, the 146-foot Sanlorenzo 44 Alloy Kamakasa will be for sale at PBIBS. The asking price, through the Italian Yacht Group, is $23.75 million. Lack of use might also be the issue here; the yacht’s twin 2,600 hp MTU V16 diesels have a mere 289 hours on the clock. Built in aluminum to a design by Rome-based Zuccon International Project, Kamakasa was the second hull in the Sanlorenzo 44 Alloy series. One of the top features is a primary suite that spans three levels and almost 1,600 square feet; it also comes with a private Jacuzzi, separate bathrooms, a walk-in closet, and a private study. The yacht’s lightweight construction and MTU power combine to deliver an impressive 20-knot top speed.

Bahama 41 GT2

As ultimate, reel-’em-in, fishing center consoles go, the Bahama 41 from West Palm Beach-based Bahama Boat Works is as hard-core as they come. But when owners kept asking for a little more comfort for the family, the builder responded. The result is the brand-new flagship 41 GT debuting at PBIBS. While the proven, wave-slicing hull stays the same, the cockpit layout is new. In place of the single bench seat, there are now three-across bucket seats with a second row behind. The wider console now has space for a pair of 22-inch Garmin screens, while the new extended hardtop features sun shades and even a rain shower. Outboard choices stay the same with either twin Mercury V12 600s, or four 400 hp Mercury V10s, good for a 65-knot-plus top speed. Pricing is from around $920,000.

Heesen ‘Book Ends’

Launched in 2022, this 164-foot Heesen is part of the Book Ends collection, owned by an American couple who have had more than 18 yachts with the same name. The exterior design of this Heesen was by Omega Architects, while Dutch studio Van Oossanen did the naval architecture. The yacht is part of Heesen’s fast cruising series, which is more efficient than other vessels its size, and can reach 23 knots at full speed with its MTU 16V 4000 M65L engines. The yacht is listed through Ocean Independence for 42 million Euro, or about $45.7 million.

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