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SiriusXM’s tribute to Yacht Rock celebrates the smooth-sailing soft rock from the late 70s and early 80s. You’ll hear artis … more

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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

The greatest yacht rock songs ever

By Tom Eames

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We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

  • The 40 greatest disco songs ever, ranked
  • The 10 greatest and smoothest ever sax solos, ranked

Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

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Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

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It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

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Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

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Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

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Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

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Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

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Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

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Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

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Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

  • The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

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Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

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The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

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Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

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The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

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England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

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Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

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Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

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The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

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Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

  • The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

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Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

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Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

  • Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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Music | 49ers to open season on ‘monday night football’ against aaron rodgers, jets, music | this bay area band was ‘yacht rock’ way before ‘yacht rock’ was a thing, pablo cruise brings its soft-rock hits to guild theatre.

Soft-rock band Pablo Cruise got its start in the 1970s when members of Bay Area bands Stoneground and It's a Beautiful Day joined forces.

For Bay Area band Pablo Cruise , however, the connection to the genre has been longer — and more literal — than for most.

“Our headquarters was an 82-foot schooner in the Corinthian Yacht Club in Tiburon,” says Cory Lerios, who co-founded Pablo Cruise in 1973. “So, we were definitely yacht rockers back before yacht rock was a term.”

From that base, the band has delivered some defining gems in what is now known as the yacht rock genre, which celebrates the smooth a.m. radio staples of the ‘70s and early ‘80s delivered by such artists as Toto, Nicolette Larson, Poco and the Little River Band.

Most notably, Pablo Cruise was responsible for the meticulously produced soft-rock numbers “Whatcha Gonna Do?” and “Love Will Find a Way,” both of which were Top 10 hits and rank as first-tier yacht rock staples.

Those songs — which sound as good today as they did when they first came out in the late ‘70s — are two of the biggest reasons why fans will turn out to see Pablo Cruise when it performs May 9 at the Guild Theatre in Menlo Park. Showtime is 8 p.m. and tickets are $49, guildtheatre.com . The group also plays May 8 at the Felton Music Hall and May 10 at the Mystic Theatre in Petaluma, pablocruise.com .

The Menlo Park show will be a homecoming for Lerios, who now lives in Thousands Oaks but was born in San Francisco and grew up in nearby Palo Alto. It was on the Peninsula where he began playing piano and joined his first bands in junior high school.

“I never really thought I would make a career of it,” Lerios says of playing music. “But one thing led to another and I kind of never looked back.”

He’d find his first taste of real success as a member of Stoneground, a Concord-based rock act that released a number of albums on the Warner Bros. records label in the 1970s. After a few years, however, Lerios and two other Stoneground members — vocalist-guitarist David Jenkins and drummer Steve Price — would leave the fold and go on to form Pablo Cruise with the help of bassist Bud Cockrell (previously of the Bay Area act It’s a Beautiful Day).

One thing to note from that list of original band members is that none of them are, in fact, named Pablo Cruise. Neither are any other of the current or former members, for that matter. So, it’s probably a good time to pause and clear up the origin of the moniker, which Lerios says has certainly drawn plenty of questions over the years.

“The truth is that it was a nickname of a buddy of mine from Colombia, South America,” he says. “It was just a nickname I gave him — Pablo Cruise. He was a very bright guy, very charismatic. And I just called him Pablo Cruise.”

So, when it came time to name this new post-Stoneground outfit, Lerios remembered his ol’ pal’s nickname and thought it fit in with one of the trends of the era.

“It was kind of at that point where you had Fleetwood Mac, Jethro Tull — a lot of two names for these bands — and Pablo Cruise just had a great ring to it,” Lerios reckons.

Whatever they called themselves, these four musicians were bound to get discovered at some point — given that they were all great players and wrote memorable tunes. So, not surprisingly, it wasn’t all that long before A&M came knocking and Pablo Cruise was thrilled to sign with such a well-regarded record label.

“A&M was notable for sticking with a band,” Lerios says. “Today, labels barely sign bands. But they don’t support bands like they did a lot of back in the day. They supported tours. They supported the making of the record, the travel — all kinds of things that they don’t do anymore.”

The result was the band’s 1975 eponymous debut, which eeked its way into the Billboard 200 and began setting the foundation for the success that would later come. It didn’t produce any hit singles, but it did give listeners a wonderful 12½-minute instrumental number called “Ocean Breeze” that drew plenty of spins at album oriented radio (AOR) stations.

“If you want to check out some deep Pablo Cruise, you should listen to that — because it’s a phenomenal piece of music,” Lerios says. “And that (song) really got us going. Still, everywhere we play now, people ask to hear ‘Ocean Breeze,’ which is always nice to know that people have gone that deep into the repertoire.”

A second album, titled “Lifeline,” followed in 1976 and managed to hoist the band a bit further up the charts, but Pablo Cruise still lacked that hit to really take it to the next level.

All of that would change with the third album, 1977’s “A Place in the Sun,” although not overnight. In fact, the first single released from that album was “Atlanta June” and it didn’t live up to expectations. Oh, but the B-side was a catchy little number called “Whatcha Gonna Do?”

“(Radio stations) played ‘Atlanta June’ and it got some acclaim, but it didn’t really take off the way they’d hoped,” Lerios remembers. “So, somebody flipped it over and put on ‘Whatcha Gonna Do?’ and, all of sudden, it started to blow up.”

The song slowly climbed the charts, eventually breaking into the top 10. The group then scored a second hit with the album’s terrific title track.

“When it gets to that point, everything changes,” Lerios says. “The phones really start to ring. You are getting offers to be on TV shows. All of a sudden, it’s like you’ve arrived.”

The band quickly followed up that album with another winner, 1978’s “Worlds Away,” which produced three hits – including the slam-dunk single “Love Will Find a Way.”

Both albums, “A Place in the Sun” and “Worlds Away,” would be certified platinum.

That would be the zenith of the band’s career, although it did produce two more albums — 1979’s “Part of the Game” and 1981’s “Reflector” — which still did quite well on the charts. The same could not be said of the band’s last studio record, 1983’s “Out of Our Hands,” which failed to chart as listeners had moved on from Pablo Cruise-style soft rock to other styles of music.

“There was a certain instrumentation, a certain form of writing that was predominant back then,” Lerios says of the a.m. hits of the era. “Then, all of a sudden, like the Knack, Johnny Rotten and all these bands came in and punk rock kind of took over and just squashed soft rock.”

By the mid ‘80s, the band members parted ways.

“Success can change things and as we just evolved in our lives, Dave (Jenkins) and I weren’t hitting it anymore,” Lerios says. “We really weren’t writing a lot. And what we were writing, we didn’t really like – and nobody else seemed to like it either.

“I had other aspirations and I know Dave did. So, we split. We didn’t necessarily break up the band. We just went different directions.”

Lerios managed a really cool second act in Hollywood, scoring films and TV shows. In that realm, his credits include the 1993 Wesley Snipes action flick “Boiling Point,” the awesome 1991 horror epic “Child’s Play 3” and, most famously, “Baywatch.”

Jenkins also experienced a good deal of post-Pablo success, including spending a few years in the country group Southern Pacific and recording with Hawaiian vocalist Kapono Beamer.

About 20 years ago, Lerios and Jenkins decided to give Pablo Cruise another shot and they’ve been peddling the soft rock to eager crowds ever since. Yet, it’s not just the old-school fans who are showing up. Pablo Cruise — which now consists of Lerios, Jenkins, bassist Larry Antonino, drummer Sergio Gonzalez and vocalist Robbie Wyckoff — is also seeing a healthy contingent of younger listeners.

“One of my jokes is that ‘you are too young to be here,’” Lerios says. “Kids come up and say, ‘My parents played this music in the house all the time. I love it. Big fan.’

“You know, music — even though we try to compartmentalize it and try to give it a decade or a whatever – good music is good music.”

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Music | 49ers to open season on ‘monday night football’ against aaron rodgers, jets, music | review: meet the most underrated band in bay area rock music history, pablo cruise is way more than just the radio hits.

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Pablo Cruise is the most underrated band in Bay Area music history.

The Sausalito-born group proved to be the complete package during its approximately 90-minute set at the lovely Menlo Park venue, solidly delivering 14 songs that appealed to listeners in various ways. There were the concise, hook-driven hits as well as other shiny pop-rock nuggets that should have been a.m. radio smashes back in the ’70s. There were also folksy numbers, jammed-out rockers and plenty of mesmerizing instrumental interludes.

And all of it was delivered by a band of first-rate players — founding members Cory Lerios on keyboards and David Jenkins on vocals and guitar as well as bassist Larry Antonino, drummer Sergio Gonzalez and vocalist Robbie Wyckoff.

Yet, the band rarely gets the credit for those kinds of things. Instead, many think of the group as a late ’70s flash in the pan with two, maybe three, songs you might want to hear and a career that was resurrected in large part due to Will Ferrell wearing a Pablo Cruise shirt in the 2008 comedy “Step Brothers.”

And none of that could be further from the truth (well, except for the Ferrell part). The band actually has a strong and deep songbook, built from seven albums that were released from 1975 to 1983.

Following a well-received opening set from Palo Alto bluesman AJ Crawdaddy (who once was a member of Pablo Cruise), the lights dimmed and a fun seven-minute video — covering the career arch of Pablo Cruise — was shown to the audience. (FYI: The video did touch upon the Ferrell factor.)

Then the five-piece outfit took the stage and opened with a charged-up version of “Worlds Away,” the title track to Pablo Cruise’s platinum-plus-selling fourth album from 1978. It was straight-up pop-rock joy — the kind that Journey and Toto fans would certainly appreciate — and performed with both great flare and meticulous care.

It was the first of many times in the evening when Jenkins would cause jaws to drop with his mighty guitar work. His playing, which has always provided the teeth to Pablo Cruise’s soft-rock hits and other recordings, has even more bite in concert than in the studio.

Pablo Cruise guitarist and vocalist, David Jenkins, performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

From there, the band peddled some fine yacht rock — the genre that championed smooth a.m. radio hits of the ’70s and early ’80s — as it sailed on with a pair of gorgeous ballads, “Cool Love” (from 1981’s “Reflector”) and “Raging Fire” (from 1977’s platinum-selling smash “A Place in the Sun”).

The latter was highlighted by incredible harmony vocal work and was so beautiful that it could have been a Crosby, Stills & Nash number. And if it had indeed been a CSN tune, it would have made it on their greatest hits album.

Next up was “Atlanta June,” which, believe it or not, was the original A-side to the single that gave the band it’s huge “Whatcha Gonna Do?” hit. And while that song failed to make it on the charts, it was one of the absolute highlights of this concert as it nicely showcased the powerful vocals of Wyckoff (who spent years singing with Roger Waters on tour).

Turning the calendar on “Atlanta June,” four-fifths of the band left the stage and Jenkins performed “Livin’ Inside of Your Love,” a mesmerizing solo acoustic folk-pop offering, filled with crafty and endearing lyrics, which was deeply reminiscent of the late-great John Prine. (And that’s about as big a compliment as we can give any folk-pop tune.)

Then Lerios — who grew up in Palo Alto, a stone’s throw (or so) away from the Guild  — took the stage and offered up a funny counterpoint to Jenkin’s softly romantic number with his own “I Get Tired Just Thinking of You.”

Pablo Cruise keyboardist Cory Lerios acknowledges fans as the band performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Humor was a huge part of the night, as Lerios and Jenkins playfully bickered and joked throughout the evening. The person sitting next to me compared the duo to the Smothers Brothers, a reference that probably says a lot about the age of both the band and their audience.

Lerios, for example, would draw big laughs when he discussed why he split ways with Jenkins in the ’80s, leading to the band’s breakup.

“We weren’t getting along very well,” he said, before adding with solid deadpan delivery and a sideways glance at Jenkins. “We still don’t.”

There was also a fun self-effacing zinger that came during the band member introductions, after Wyckoff explained how, before he got the call to join Pablo Cruise, he used to fly in private jets around the globe while touring with Roger Waters.

“After that phone call, I had to ask Robby, ‘Have you ever flown Southwest?’” Lerios joked of Pablo Cruise’s apparent means of air travel these days.

Lerios, however, probably isn’t hurting for money one bit. After all, he went on to have a very successful career in composing for TV and film after Pablo Cruise called it quits in the ’80s. His most notable work in that realm came when he landed the gig to do the music for “Baywatch” — and, as a reminder of such to fans, the band performed that TV show’s theme during the Guild concert.

The show reached another high point with the incredible jam through “Zero to Sixty in Five,” a standout from 1976’s “Lifeline” album that thoroughly reminded us of the great instrumental numbers that the group has recorded through the years. (I actually wish the band had played more instrumental songs — especially “El Verano” from “A Place in the Sun” and the 12-minute-plus “Ocean Breeze” from the first album.)

From there, it was hit city as Pablo cruised through the favorites “Don’t Want to Live Without It,” “I Go to Rio” and, of course, the dual smashes “Love Will Find a Way” and “Whatcha Gonna Do?”

It was a superb showing by a group that should be mentioned way more frequently whenever the topic of best Bay Area bands comes up.

Pablo Cruise plays tonight (Friday, May 10) at the Mystic Theatre in Petaluma. For more information, visit pablocruise.com/shows .

1. “Worlds Away”2. “Cool Love”3. “Raging Fire”4. “Atlanta June”5. “Livin’ Inside of Your Love”6. “I Get Tired Just Thinking of You”7. “A Place in the Sun”8. “Will You, Won’t You”9. “Baywatch” theme10. “Zero to Sixty in Five”11. “Don’t Want to Live Without It”12. “I Go to Rio”13. “Love Will Find a Way”14. “Whatcha Gonna Do?”

Pablo Cruise keyboardist Cory Lerios, left, and guitarist and vocalist,...

Pablo Cruise keyboardist Cory Lerios, left, and guitarist and vocalist, David Jenkins, perform in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Pablo Cruise keyboardist Cory Lerios acknowledges fans as the band...

Pablo Cruise keyboardist Cory Lerios acknowledges fans as the band performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Pablo Cruise performs in concert at the Guild Theatre in...

Pablo Cruise performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Pablo Cruise performs in concert at the Guild Theatre in...

Pablo Cruise guitarist and vocalist, David Jenkins, performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Pablo Cruise keyboardist Cory Lerios cheers with fans as the...

Pablo Cruise keyboardist Cory Lerios cheers with fans as the band performs in concert at the Guild Theatre in Menlo Park, Calif., on Thursday, May 9, 2024. (Ray Chavez/Bay Area News Group)

Pablo Cruise keyboardist Cory Lerios, left, and guitarist and vocalist,...

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