vetrimaran biography tamil

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Vetrimaaran

Vetrimaaran stands as a towering figure in the of Indian cinema, celebrated for his multifaceted contributions as a film director, producer, and screenwriter, primarily within the vibrant tapestry of Tamil cinema. As of 2021, his illustrious career has been adorned with accolades, boasting five National Film Awards, eight Ananda Vikatan Cinema Awards, and two Filmfare South Awards.

Born in 1975 in the culturally rich city of Cuddalore, Vetrimaaran inherited a legacy of academia. His father, Dr. V. Chitravel, a distinguished veterinary scientist, and his mother, Megala Chitravel, a respected novelist, provided the backdrop for his early years. The seeds of his cinematic journey were sown during his tenure at Loyola College, where a course on television presentation ignited his passion for the art of filmmaking.

The pivotal juncture in Vetrimaaran’s career came through his association with veteran filmmaker Balu Mahendra. Serving as one of Mahendra’s lead assistants, Vetrimaaran gleaned invaluable insights into the nuances of filmmaking. Faced with the perennial dilemma of choosing between academia and the allure of cinema, Vetrimaaran chose the latter, forsaking his academic pursuits at Loyola to chart a course into the world of films.

His directorial debut, “Polladhavan” in 2007, was a cinematic endeavor inspired by the quest for a lost bike. The film garnered acclaim, with Vetrimaaran’s directorial style drawing favorable comparisons to Balu Mahendra’s illustrious approach. The subsequent venture, “Aadukalam” (2011), delved into the intense world of cockfighting in Madurai and earned Vetrimaaran six National Film Awards, solidifying his status as a formidable directorial force.

In an expansion of his cinematic footprint, Vetrimaaran founded the Grass Root Film Company, a production house that would serve as a vehicle for his creative endeavors. “Visaranai” (2015), a film exploring the brutal hardships faced by Tamil laborers at the hands of the police, emerged as India’s official entry to the Academy Awards, shedding light on societal injustices.

The ensuing years witnessed Vetrimaaran’s continued ascendancy. Collaborations with actor Dhanush in films such as “Vada Chennai” (2018) and “Asuran” (2019) not only garnered critical acclaim but also tasted success at the box office. “Vada Chennai,” in particular, distinguished itself by portraying the narrative of a skilled carrom player ensnared in a gripping gang war. In his role as a producer, Vetrimaaran championed several noteworthy films, including “Poriyaalan” (2014) and the critically acclaimed “Kaaka Muttai” (2015). Both his directorial ventures and productions consistently received accolades, establishing him as a revered figure within the film industry.

Vetrimaaran’s creative prowess extended to the anthology “Paava Kadhaigal” (2020), where his segment, “Oor Iravu,” delved into the sensitive issue of honor killings. The segment, marked by its powerful storytelling and deft direction, earned acclaim from audiences and critics alike.

Throughout his illustrious career, Vetrimaaran’s films have been a canvas for exploring diverse themes, seamlessly blending realism with commercial elements. His ability to capture the essence of societal issues and present them cinematically has bestowed upon him the status of one of the preeminent directors in the panorama of Indian cinema.

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Vetrimaaran Height, Weight, Age, Body Statistics

Vetrimaaran predominantly works in the Tamil film industry. His first film as a director was Polladhavan (2007). He owns a production company named Grass Root Film Company . One of his films named Visaaranai (2015) opted as India’s official entry to Academy Awards . Previously, he was working as an assistant director with Balu Mahendra .

Vetri Maaran

Cuddalore, Tamil Nadu, India

Nationality

He did his schooling up to 10th grade at a school in Ranipet, Vellore. Then he joined YMCA , Chennai for his higher secondary education.

Later in 1994, he pursued English Literature at Loyola College , Chennai. He dropped out of his Master’s degree in 1999 to shift his career to the film industry.

Film Director, Film Producer, Screenwriter

• Father – Dr. V. Chitravel (Veterinary Scientist)
• Mother – Megala Chitravel (Novelist, School Correspondent)
• Siblings – He has a sister who is an oenologist.

5 ft 7 in or 170 cm

68 kg or 150 lbs

Girlfriend / Spouse

Vetrimaaran’s name has been linked with –

• Aarthi (1998-Present) – Aarthi and Vetrimaaran met for the first time near Loyola College , Chennai in a tea shop. Even though Vetri noticed Aarthi, he purposely doesn’t turn towards her which made her feel bad. After spending time together for a long time, it was Aarthi who expressed her love towards Vetri in 1998. Vetri replied that she should wait another 10 years for them to get married. He also added that she can part her way if she doesn’t feel like waiting for him anymore. Aarthi casually accepted Vetri’s condition regarding their marriage as she doesn’t think it would take 8 years for them to get married. The couple has a daughter named Poonthendral.

Race / Ethnicity

Asian (Indian)

Sexual Orientation

Distinctive features.

Dedication towards work

Vetrimaaran Favorite Things

• Film Maker – Akira Kurosawa
• Hobby – Cricket
• Books – Roots , Wolftotem

Source – YouTube , YouTube , The Hindu

Vetrimaaran Facts

• He doesn’t like to be identified as an artist, even though he is a film director. According to him, a filmmaker shouldn’t make his film as art for art’s sake. He also states that a film is first science and commerce and then art.
• He is a movie buff and used to watch almost all the movies in his school days. Vetrimaaran used to bunk classes and watch the same films for even 3 or 4 times. Then, he would narrate the whole story to his friends, also he was very good at narrating a film more than a film could do.
• Vetrimaaran joined YMCA school in Chennai for his higher secondary education only to become a cricketer. During those days, YMCA was the only school in Chennai which had a physical education group. When it came to to the under-16 cricket state selection, he was not selected in the team. It was then he realized that cricket was only his hobby and it was only to escape from his father he thought to take up cricket as his career.
• According to him, his sister is his source of motivation. His sister always remains as an inspiration and would say for all his movies that nobody could direct a movie as he does so.
• His father always wanted Vetrimaaran to become an engineer. Due to his father’s strong decision regarding his career as an engineer, Vetrimaaran started creating an aversion towards engineering from his childhood.
• Vetrimaaran strongly believes that a film has the power to influence society for good or bad. Also, according to him, a film will hugely affect the audience which depends on how the director handles the film.

Featured Image by Silver Screen / SilverScreen.in / CC BY-SA 3.0

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Vetrimaaran

• Born September 4 , 1975 · Cuddalore, Tamilnadu, India
• Vetrimaaran is an Indian film director, screenwriter and film producer, who works in the Tamil film industry. Vetrimaaran made his directorial debut with the Polladhavan. His second feature film Aadukalam won six National Film Awards. He produces films under his production company, Grass Root Film Company. His movie Visaranai (2016) was selected as India's official entry to the Academy Awards.His film Asuran (2019) was named as the National Film Award for Best Feature Film in Tamil. - IMDb Mini Biography By: Raju
• Children Poonthendral
• Parents V Chitravel Megala Chitravel

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Why Vetrimaaran is the most interesting director in Tamil films today

Vetrimaaran is arguably among the most interesting filmmaker working in the tamil film industry. here’s documenting his rise and what it takes to be a talent like him..

His production house’s name, Grass Root Film Company, is a clear pointer to Vetrimaaran’s worldview. This Deepavali’s biggest release in Tamil Nadu is, arguably, Kodi (Flag), a political thriller he has produced that stars Dhanush in his first double role, as twin brothers. The twins may be identical but their natures are mutually exclusive. Refreshingly, Kodi casts Trisha as a feisty woman politico, giving Dhanush’s eponymous hero a run for his money.

“For a hero movie, it’s pretty decently written,” pronounces Baradwaj Rangan, film critic and associate editor at The Hindu. “There’s a conflict, there are surprises and even within a commercial film, it’s properly written and directed. It’s not some random moments strung together to get people whistling.”

The film’s premise is how politics and political interests shape communities and the quality of their life. In this case, it involves skullduggery surrounding a factory emitting toxic effluents. It could be happening not too far away from our backyards.

At the Oscars

Vetrimaaran himself, however, was conspicuous by his absence during Kodi’s promos. He has a bigger task on hand. Visaaranai (Interrogation), the part-docudrama, part-crime thriller he directed, is India’s official entry to the 89th Academy Awards in the Best Foreign Language Film category. So he is in the US persuading jurors take note of his film, which has some truly hairy torture scenes. The last Tamil film that made it to the Oscars was 16 years back: Hey Ram starring Kamal Haasan.

Usually, the choice of any film to represent the country at the Oscars polarises critics, but Visaaranai remains largely unchallenged. Rangan agrees. “Visaaranai was a fantastic film.”

It tells the story of innocent migrant labourers picked up and tortured by the police to extract a false confession for a fatal robbery at an influential man’s house. How the film, shot in 42 days on a Rs 2-crore budget and eventually wining three National Film Awards, got made is interesting. After his Aadukalam in 2011, Vetrimaaran had busied himself with his production ventures, Udhayam NH4, Poriyaalan and Kaaka Muttai. When he was prepared to shoot his next, the script he picked was Soodhadi, a story on gambling, proposing Dhanush in the lead role. However, the actor had to take time off to work in Balki’s Shamitabh, being shot in Mumbai.

Vetrimaaran was mooting a book adaptation when director Balu Mahendra’s assistant serendipitously presented him with Lock Up, a riveting, partly autobiographical book written by M Chandrakumar, a former autorickshaw driver. The book, which took five years to write and another four to publish, narrates his harrowing experience while in jail in (then) Andhra Pradesh.

“When I pitched the story to Dhanush, who later produced the film, I said I can only guarantee you a three-day weekend run at the box office. But it’s a low-budget venture; you’ll get your investment back,” Vetrimaaran laughs. “Dhanush was amused, but agreed to fund the project. [I thought] it’s the kind of film that would not bring in repeat audiences. I was proved wrong and it got a good three-week run.”

The author, Chandrakumar, was incarcerated for a fortnight way back in 1983. “Yet his experiences are relevant even today,” points out Vetrimaaran. “Visaaranai reflects a stark reality from which you cannot shut yourself out: that is its success. It was challenging to find the right kind of actors and locations. We employed real stuntmen who could exercise restraint while beating up the actors.”

“What was unique was that there were a lot of first-time actors in the film; that added rawness to it,” says K Hariharan, filmmaker and critic. “Actors like Samuthirakkani and Kishore were entirely on the sidelines. That made it an interesting watch.”

Astutely, the team decided to send it to international film fests right away, confident it would work with foreign audiences. Visaaranai premiered at the Orrizonti section of the 72nd Venice Film Festival, a first for a Tamil film, and won the Amnesty International Italia Award. Crucially, the European audience was exposed to a hitherto unexplored form of Tamil cinema that dealt with grim reality in a non-dramatic but powerful way.

“Europeans have a different policing system. They found my narrative a bit harsh, though they were moved,” explains Vetrimaaran.

A rooted voice

It is Vetrimaaran’s preoccupation with sometimes gritty, sometimes heartwarming reality that makes this 41-year-old one of the best filmmakers of our times.

“The best thing about the regional filmmakers is that they bring in a very ‘native’ feel,” says Rangan. “Like if I watch Nagraj Manjule’s Sairat for instance, I find [elements] that remind me of Vetrimaaran. But that’s more because these filmmakers do these ‘rooted’ things very well. They give you the sense of the atmosphere, the rhythms of life in that particular environment, they take care to bring them alive.”

His critically acclaimed debut venture, Polladhavan (Ruthless Man) in 2007, followed a lower middle-class young man’s search for his stolen bike, an exercise that takes him through the seamy underworld. Four years later came Aadukalam (Arena), a Pongal release that raked in six National Film Awards. The cockfight arena was where love, ego, honour, friendship and betrayal were played out in the rustic backdrop of Madurai.

Says Manimaran, long-time friend and assistant, “Vetri used to like watching cockfights in the neighbourhood in our hometown. So he thought we could develop a story around them.”

There was no doubt about who would play the lead. “I wrote Aadukalam keeping Dhanush in mind,” says Vetrimaaran. “As an actor, he delivers exactly what I need and sometimes more. As a producer, he offers me complete freedom and does not interfere at all. He trusts me completely.”

Rangan explains the Vetrimaaran touch, “There is a world of difference in the way he uses the song and dance elements in Polladhavan and Aadukalam. They have become more organic and rooted; they’re not fantasy elements.”

“I personally prefer Aadukalam to Visaaranai, but it’s like comparing apples and oranges,” says Hariharan. “Aadukalam had a certain kind of warmth and spontaneity. Visaaranai, to me, looked rather staged.”

He explains, “Visaaranai’s [appeal across the world] is that for the first time in Tamil cinema, you see this kind of brute reality without the director taking recourse to a love story or family drama. It’s also interesting that a country like India allowed such a strongly critical film on the system. There’s no doubt that Vetrimaaran is a bold filmmaker.”

Vetrimaaran’s productive chemistry with Dhanush has paid rich dividends. The two went on to produce Kaaka Muttai (Crow’s Egg) in 2015, a subversive film poking fun at what is regarded as cool - pizzas, in this case. This little gem, premiering at the Toronto International Film Festival, tracks two brothers from a Chennai slum dying to taste a pizza. Directed by M Manikandan with wit, not once is the children’s dignity compromised. Their family struggles in a heartless and corrupt city and soon we find ourselves cheering for our little heroes. Kaaka Muttai pocketed two National Film Awards.

“There is a stamp of quality that people have begun to associate with Vetrimaaran, because even the films he produces are pretty decent,” says Rangan, adding that he looks for, and gets, that certain quality.

Vetrimaaran’s genius lies in shining a light on people we would not even glance at in our rat race. His films show us that ordinary people often lead extraordinary lives if only we stop to talk to them.

Smitten by cinema

Born in Cuddalore near Puducherry and raised in Ranipet, a suburban town in Vellore district, two and a half hours from Chennai, Vetrimaaran was smitten by cinema even as a child. His mother, a writer, ran a school in the area, while his father was a veterinarian. Friends remember him as a film buff who watched every movie that came to town.

“He would bunk classes and watch them, each three or four times. Then he would come to the school ground where we used to hang out until 7:30 in the evening and would retell the whole story to us. My friends and I have actually walked out of the theatre at times because the film was nowhere as good as his narration. He still has that quality,” says Manimaran, his assistant.

Vetrimaaran was in his second year of Masters in English Literature in 1999 when the now-deceased filmmaker Balu Mahendra was invited to judge a short film contest at the Loyola College, Chennai. Shortly afterwards, he attended a seminar conducted by the director and was inspired enough to assist him in Julie Ganapathy, Athu Oru Kanaa Kaalam and the television series Kadhai Neram.

Athu Oru Kanaa Kaalam cemented his friendship with the lead actor, Dhanush, whom he describes as his best friend. While still assisting Balu Mahendra, Vetrimaaran pitched the story of Desiya Nedunchalai, and the actor readily agreed to play the lead.

Recalls Manimaran, “Producers were not hard to come by because we had Dhanush. But a few had misgivings about how Vetri would handle the project as a newcomer. So we tossed aside that script, which I later made into Udhayam NH4.”

The initial years proved to be rough. “I was pitching different scripts to different people for three years and it was the sixth producer who okayed Polladhavan,” says Vetrimaaran on his directorial debut.

Adds Manimaran, who assisted him in the project, “After the film was edited, we were really scared to show it to the producer. We kept stalling the screening telling him it may not have come out as he expected. Finally, when he saw it, he was satisfied. We were relieved and gradually grew confident.”

Pushing for excellence

When Manimaran himself forayed into direction with Udhayam NH4 in 2013, Vetrimaaran returned the favour by stepping in as producer under his banner, Grass Root Film Company. As he puts it, “I want my production house to be a platform for good, interesting ideas. I can find a producer for my films, but others, who may be first-time filmmakers, might have innovative scripts that mainstream producers might not understand. Like Kaaka Muttai for instance.

“I produce films in partnership as I may not be able to afford the entire budget. Dhanush ends up co-producing some of them as our tastes are similar. None of my producers ever ask me for the budget. I always make sure it is within their means and I can give the desired returns.”

For someone who has been successful both commercially as critically, Vetrimaaran has directed only three films in nine years. “For me, every film is a learning process. After each, I take time to unlearn. Then I find new content, learn it completely and then execute it.”

Manimaran describes his working process thus, “Many directors make changes to the script on the spot. But Vetrimaaran is different because he pays attention to detail. He puts in a lot of effort, so there may be last-minute adjustments with lighting and locations. Unlike working with other directors, you need to be available 24 hours.”

Outside of work, the father of two, who met his wife Aarthi while at college, likes to race pigeons, pretty much like the characters he portrays. His rootedness has also led him to voice the germ of an idea: setting up an organic farm eventually.

Rangan describes grit as the definitive quality of Vetrimaaran’s films, and praises his skill in animating the atmosphere in terms of the integrity of the characters, the plot, and the texture. “The way he shapes the characters and writes them, you feel that these are not [just] individual people; you get a sense of where they come from, where they belong. [They’re] not just some random characters floating around.”

His fans are already talking about his fourth film, Vada Chennai (North Chennai), an ambitious gangster trilogy he has been planning since 2003. After undergoing several changes of scripts and stars, Dhanush, Vijay Sethupathi, Amala Paul and Samuthirakkani are among those confirmed on the project that is currently under way. Slated for release next year, Vada Chennai is also bound to have the by-now classic Vetrimaaran stamp.

(Published in arrangement with GRIST Media.)

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Vetrimaaran reveals how Pa Ranjith started a bold movement in the Tamil movie industry

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Vetrimaaran Wiki: Biography, Age, Wife, Family, Education, Height, Weight, Movies List, Career, Profession, Net Worth

Vetrimaaran biography, vetrimaaran education, vetrimaaran early life.

Vetrimaaran’s birthday is 1975 and he was born in the city of Cuddalore. His mother, Megala Chitravel, is an accomplished author, and his father, Dr. V. Chitravel, worked in veterinary science. His older sibling is a sister. He eventually settled in Ranipet. He weds Aarthi, a classmate of his from Loyola University Maryland, whom he met and fell in love with during his college years. Vetrimaaran, who has won four National awards and one Film Fare award, is married and the father of two children, Poonthendrel and Kadiravan. The film Polladhavan, which he directed, received widespread acclaim upon its release.

Vetrimaaran Career

The film Polladhavan, which he directed, received widespread recognition upon its release. Since the film’s 2007 release, Vetrimaran has provided the Kollywood industry with a steady stream of high-quality works. Surya has a brief appearance in Viduthalai Vijay Sethupathi’s offspring. The official title of Vertimaaran’s next film is Vaadi Vaasal. A video of Suriya working out with a bull in preparation for his upcoming film Vaadi Vaasal quickly went viral.

Vetrimaran first served as the director Balu Mahendra’s assistant. Vetrimaran would read between forty and fifty novels a week in order to assist Balu Mahendra in picking out the most compelling material. As a result of his efforts, he told Dhanush a story he had written called Desiya Nedunchaalai 47, but the film was plagued by many problems. Later, they settled on “Polladavan,” a box office smash that earned more than both “Alagiya Thamizh Magan” and “Vel,” two films starring Vijay and “Victorious” star Suriya, respectively.

In addition to his talents as a filmmaker, he is also an accomplished producer. Some of the films he’s produced have gone on to be nominated for and honored with Oscars. His first national award was for his second film, the brilliant “Aadukalam.” His third film as a director, Visaaranai, has been a critical and commercial success and has earned him several awards and nominations, including one for an Academy Award. In a new film titled “Vada Chennai,” Vetrimaran and Dhanush have teamed up once more. There is now production going on for the film, his much-anticipated movie with Suriya Vaadivasal is under post production and another film with Vijay Sethupathi and Soori in the lead called Viduthalai will hit the screens very soon.[

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Vetrimaran's 'Viduthalai' to release in two parts

CHENNAI: Ace director Vetrimaran's eagerly-awaited upcoming film,'Viduthalai', featuring Soori in the lead and actor Vijay Sethupathi as 'Vaathiyaar', will release in two parts, its makers have now announced. Interestingly, both parts of the film -- 'Viduthalai' and 'Viduthalai-2' -- are to be presented by actor, producer and politician Udhayanidhi Stalin's production house, Red Giant Movies. The shooting of 'Viduthalai-1' has already been completed and post-production work is on in full swing. Only a few portions are left to wrap up the shooting of 'Viduthalai-2', which is currently happening in Sirumalai and Kodaikannal. Produced by RS Infotainment's Elred Kumar, the 'Viduthalai' franchise is being made on a whopping budget. The film's grandeur has been generating a strong buzz. Only recently, a train and Railway bridge set worth Rs 10 crore was erected for the film. The train compartments as well as the bridge were made using the same materials that engineers use to manufacture trains and build bridges. Earlier, the art department headed by Jackie had erected a huge village set in Sirumalai. The makers of 'Viduthalai' say that it is an intense story that needs proper storytelling to make sure it appeals to the audience. It is for this reason that they say they decided to break the story into two different parts. Currently, preparations for shooting a breath-taking action sequence between Vijay Sethupathi and Soori are going on in Kodaikanal. Peter Hein is choreographing this action sequence in which a group of proficient stuntmen from Bulgaria will be a part. The star cast of 'Viduthalai' includes Vijay Sethupathi, Soori, Bhavani Sre, Prakash Raj, Gautham Vasudev Menon, Rajeev Menon and Chethan. Maestro Isaignani is composing music for 'Viduthalai', which features cinematography by Velraj.

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